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Long Neck Turtle – Nyangura
Nyangura the Long-Neck Tortoise is Yirritja. The two sacred ancestral Nyangura are found at a place called Djirringi in north-central Arnhem Lane on Ganalbingu land. The tracks left by the two ancestral totemic Nyangura, as they crawled over the land at Djirringi, is a sacred symbol. This symbol is used as a ground design or sand sculpture during cleansing ceremonies otherwise known as Bulu-Lup or Wan’tjirr. During this ceremony, water is poured over the bodies of Yolngu relatives of the deceased as they stand within the sacred ground design representing the marks left on the ground by the two original ancestral Nyangura at Djirringi. Yolngu also dance Nyangura during bunggul ceremonies. Here they may paint the design for Nyanguru and other designs. Nyangura is also food for Yolngu. It is cooked and cut according to age old tradition. The artist has depicted four Long Neck Turtle’s in this painting.
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Raypiny Dhawu (Fresh Water Story)
All Aboriginal people originate from a spiritual source, fixed in a particular place in their land or the sea. These ‘spiritual reservoirs’ are often in the form of special waterholes made by Wangarr (creative spirits) that were created long ago close to the beginning of time. These creator beings moved across the countryside, shaping the land and implanting in each tract of country, the spiritual life force for the people who were to own it. These creative spirits took many forms and when they gave the land to each group, they also gave songs, dances, ceremony, the associated laws and language.
The creation story for Ganalbingu people took place near the middle section of the Glyde River where it becomes the Goyder River. Their land, Ngaliyindi, sits astride the Arafura Swamp in Central Arnhem Land. Many Ganalbingu artists paint totemic species significant to their clan. These can include baru (crocodile), banda (long necked turtle), buliya (catfish), yalman (waterlilies), gumang (magpie geese), dakawa (fresh water yabby), ratjuk (barramundi), warrnyu (flying fox) and more.
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Ntang Native Seeds
The seeds are collected under a tree by laying a tarp on the ground and hitting the tree continuously until most of the seeds have fallen. Once the seeds are collected they are then ground with a mortar and grinding stone.
A number of these grinding stones have been in families for generations. Once seeds are ground, water is added and mixed until a damper like substance is formed and placed under the coals until cooked.
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Bush Tucker – Maisie Petyarre Bundey;-
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Ntang Native Seeds
The seeds are collected under a tree by laying a tarp on the ground and hitting the tree continuously until most of the seeds have fallen. Once the seeds are collected they are then ground with a mortar and grinding stone.
A number of these grinding stones have been in families for generations. Once seeds are ground, water is added and mixed until a damper like substance is formed and placed under the coals until cooked.
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Kulyakartu
This painting is about all the rocks and kurru (creeks) all around Kulyakartu and Kirriwirri.
We went camping there for to two weeks, we went to Wirnpa first and then to Kirriwirri. We camped in the nice flat ground in the open when we got to Kulyakartu.
This is the artists Grand Fathers country.









