January 2025

377815582346799

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

377815582346798

Claypans, Spinifex and Waru (fire) edward

This paining is about the claypans, spinifex and waru (fire) in the dry season time, when spinifex, the native plants and the country gets dry. Its about how to burn the country the right way, not the wrong way. Like old people they used to burn the county right way, so we learn from them and keep country good for us and all the animals comes out of the bush. When the rain comes it makes the country green again. Some animals love dry season for hunting. Some times we go hunting for animals for our families

 With the Paru (spinifex) we pull out the whole plant, roots and all and then we twist it around to make a flat basket (Jitatu) like a donut ring. Then this sits on the head and you can carry water for example. The water is in a Kapara like a shallow bowl which you make from the hard wood of a tree like Parntal (Owenia Reticulata)

By , ago

377815582346797

Clay pans and Spinifex Edward

This paining is about the claypans and spinifex in the dry season time, when spinifex, the native plants and the country gets dry. When the rain comes it makes the country green again. Some animals love dry season for hunting. Some times we go hunting for animals for our families

 

With the Paru (spinifex) we pull out the whole plant, roots and all and then we twist it around to make a flat basket (Jitatu) like a donut ring. Then this sits on the head and you can carry water for example. The water is in a Kapara like a shallow bowl which you make from the hard wood of a tree like Parntal (Owenia Reticulata)

By , ago

377815582346796

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

377815582346795

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

377815582346794

Untitled

 This artwork showcases the artist’s skillful use of color, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the desert meets the sea, and five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.

By , ago

116482346778

Our Instruments are Boomerang

We don’t use didgeridoo or tapping sticks in Western Australia. We use boomerang for singing, culture and music. This is the lore ground where we site around the circle and sing songs. This happens in summe time. It lasts for one or two months depending how many boys we get to go bush.

By , ago