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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Kampurarpa Tjukurpa – Elizabeth’s Story

Kampurarpa are bush tomatoes. Elizabeth’s work comments on the environmental change that has occurred on her country due to the introduction of non-native fauna such as cattle, and flora, notably weeds like buffel grass. Buffel grass is so widespread and destructive that it is commonly known in and around Pukatja as tjanpi mamu or devil grass.

From the very start of Elizabeth’s artistic practice she has drawn her kampurarpa tjukurpa (bush tomato story) in clay. In the old times kampurarpa were one of the main foods for Anangu.

I’ve seen the land change. We used to have a lot of flowers. We used to go out to the bush to collect bush tucker, like kampurarpa (bush tomatoes). And now there’s a lot of buffel grass everywhere. The land is changed by the buffel grass. Now there’s no more flowers – no purple flowers, yellow flowers, white or pink flowers. I’ve seen it. When all the cattle and the sheep and the goats came, the kangaroos left and went a long way away. They saw the strange animals and they left. That’s a true story.

Today, sometimes we still go out and collect kampurarpa but not like we did before. Our country has been changed by cattle and weeds like buffel grass, so we can’t find all the old foods like we once did. I’ll keep telling the kampurarpa story in my work, that keeps the stories, songs and dances about these important foods alive and strong.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Ngayuku Walka / My Design

Walka means design or pattern. Artists use this title to describe artworks that are pattern based rather than descriptive or telling a story.

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Margaret’s Father’s Country

My father’s place is Mt. Liebe, sandhill country.  The Wanapi rests there under the surface of the creek.  When we go to visit that country, the Wanapi stirs underneath the ground and bubbles rise up in the water.  He is there to protect that place.  We speak to that Wanapi in our language and he knows then that it is us. It’s okay for us to be there and the bubbles settle back down.  Close to this creek is where the Arkaryi women are sitting.  This is an important women’s site.  I can’t speak too much about that, as it would be dangerous to disturb those women.

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Piltati

There were two sisters who married two brothers and they all lived together. One day the women went wandering and they went such a long way that they forgot about their husbands. Back at the camp, the two husbands were thinking, ‘Where are our wives?’ and they decided to go looking for them. One brother said to the other, ‘What should we become to go looking for them?’ and the other brother said ‘Why don’t we become Rainbow Serpents?’ And they travelled in the sky looking down for their wives. Finally they see them hunting for carpet snakes and they put something in the hole where the women were digging. The women find it and then dig another hole and once again the men have put something in there. And this is how the men lure the women back to Piltati where the men make the sisters transform into Wanampi, swallow them and keep .them in their throats. All four of them live together in the waterhole and still live there today.

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Sevania Kemarre Bonney – View of Country

 

The community of Ampilatwatja made a conscious decision not to paint ‘altyerr’ dreaming stories, the artists paint their country where those stories sit.

Sevenia was born in Soakage Bore, Utopia and started to paint when she was teenager. She learnt the way to paint landscape and bush medicine from her grandmother Eileen Bonney, a former health worker and artist. Sevenia finds painting soothing and enjoys to share this activity with her kids so they can learn as she did with her grandmother.

 

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

 

“This is my country, my view of country.”