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Tangki Tjuta – Donkeys

‘Tangki Tjuta Donkeys’ won the Best Children’s Fiction at the NT Chief Minister’s Book Awards. This award winning story features 26 Ernabella artists who handmade each individual tjanpi sculpture for this gorgeous project with @tjanpidesertweavers

Pitjantjatjara text by Tjunkaya Tapaya OAM and Imuna Kenta. Based on stories by Akitiya Angkuna Tjitayi, Imuna Kenta and Anne Karatjari Ward.

Donkeys are malpa wiru, valuable friends and helpers in the families and desert community of Pukatja (Ernabella) in the APY Lands of northern South Australia. People set off on their donkeys for picnics and longer journeys, always returning home safely.

Told in Pitjantjatjara and English and featuring whimsical, distinctive sculptures, this dual language Australian story offers warm and humorous insights from an Anangu perspective.

The judges said ‘What a joy to read. This book is for everyone, not just children. The woven sculpture illustrations are unique, effective and full of character. A must for every school library’

Features a listening app available in Pitjantjatjara and English.

 

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Ernabella Arts: Ceramic warka wiru 20 years-kutu (20 years of creating ceramics)

“This book tells the story of the Ernabella Arts ceramics studio. We are very happy to work together with the Jam Factory to make this book and also for the 20th anniversary exhibition. We have a long history and partnership with the Jam Factory. They helped us make the first ceramics more than 20 years ago.”

Anne Nginyangka Thompson

Chair Ernabella Arts

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Status: Stock


Pulukangka – Stockman T-Shirt by Rupert Jack -White

Mr Jack was a Pulukangka, stockman. He likes to tell stories about his time as a stockman on nearby cattle stations and as a young fella working on the sheep station at the Ernabella Mission. Mr Jack says about those days ‘good memories! good times! a time staying strong in my heart’.

His artwork pays tribute to the stockmen sitting around a campfire drinking a kapati (cup of tea) and telling stories like Mr Kulyuru’s time at the rodeo in Alice Springs or Mr Ingkatji on his horse and cart.

Our T-shirts our 100% cotton.

Original artwork created in Pukatja, APY Lands and screen printed by hand in Pathawilyangga/Glenelg, South Australia.

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Marebu

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. She is an accomplished artist working across mediums including painting, sculpture, weaving and textile design. For this design, Deborah Wurrkidj has depicted Marebu (woven pandanus mats).

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.

Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.

Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.

The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.