115682355672



Warrnyu Dhawu (Flying Fox Story)

Back in the Creation time, Warrnyu (Flying Foxes) once lived, like men, in the cave at the place called Kurrki Warrnyu Yirri Djaringal (they also lived in caves called Wadatilmurr & Gurngurmirrngu). Warrnyu lived in these caves for many years and then one day Djanyarr (The Dog), an ancestral being in the form of a man, came along. He was looking around for a place to live. Djanyarr heard the sound of a Flying Fox screaming. He went down to the cliff and pushed the rock and the water came out at the Ganalbingu place called Gurrkawakarrmurr. He then went into the cave and into the sacred hole, frightening all the Flying Fox away. When he went into the hole he left his dilly bag in the tree and went out on the other side of the sacred cave and leaving his spear and woomera. He sat there for a long time. The Dog made three streams and the water went inside the cave. Two of these streams are good drinking water. In the middle it is a sacred water. No-one drinks from the middle of the stream. Children, men, women, young boys or girls are not allowed to drink from the middle of the stream. If they drink the water from the middle of the stream they will go grey too early.

At Kurrki Warrnyu Yirri Ngilaya Djaringal, the Flying Fox made himself into a young man… that’s what Aboriginal people do today. They have ceremonies and dances to make the young boys into men. The songs are called Yirrarwu, Gulumu, Rruburra and Burryun. Dhapi (initiation ceremony) happen today because the Warrnyu (Flying Fox) people performed them a long time ago before the Yolngu people. It was the Warrnyu people who first performed circumcision of the young boys to make them into men. It all happened at Kurrki Warrnyu Yirri Ngilaya Djaringal, this is how this place got its name.

Leaving behind the cave at Kurrki Warrnyu Yirri Djaringal, the Dog travelled west across the Arafura Swamp and came to Djalkulmurr (Mount Delight). From there he travelled north and came to Dunganda (a hill situated a few kilometres east of Ramingining). There he met a female Dog, then they both headed north and came to a place called Garanydjirrmurr where they spoke the Mildjingi language. From Garanydjirrmurr they changed their direction and went west through Guliny’barra, Burgumara and onto the plains. When they reached the plains they smelled something cooking, way up in the north – at Wessel Islands. The aroma they smelt was so enticing that they decided to go there. Lungurrma (the north-east wind) was carrying the smell. One Dog headed north again, but the other Dog decided not to go with him and went back the opposite way. The first Dog that went to Malwanatharra (Sandy Point) went into the sea following its nose to wherever the smell was coming from. It is believed that this Dog still lives in the sea…

115682355654



JB Fisher – Narrgi’ṉarrgi (possum- sugar glider)

JB paints stories from his Dhuwa homeland in northeast Arnhem Land. Stories are passed on either paternally or maternally, and JB would have learnt these stories from his ancestors. The cross-hatching style is a traditional painting style of this area and can represent elements such as water, air and wind.

His paintings often feature totemic animals of the fresh waters of north east Arnhem Land.

359709482356628



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

359709482356627



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

359709482356621



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

359709482356616



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

359709482356615



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

359709482356614



Sovereignty – Land

Our Land holds a big depiction in illustration of where our sovereignty stands.

 

Art Centre notes:

Paper size: 40 x 53cm

The artwork is a ‘pochoir’ print, or monoprint printed on Hahnamule paper 100% cotton rag with strong archival properties.

Artist: Danie Savage

Printer: Dian Darmansjah

Printed: Moa Arts Studio, Jan 2025

377810582356805



Mabbúlarr (Calm Still Water)

Mabbúlarr is the Ndjébbana word describing calm and stillness – both regarding people and the ocean.

This design tells the story of underwater life in the shallows. The turtle we call marláddja (green turtle, Chelonia mydas) and the stingray we call marnandjúbba (Cowtail Stingray, Pastinachus sephen).

‘When strong wind blows the sea is rough, when there’s no wind the sea is calm. We call that mábbularr. You can see through the water and look at the turtle and stingray eating karlómerr (sea grass) and dancing underwater to find their mate. When we go on the boat hunting, we go at times of mábbularr.

In the old days men used to hunt with a canoe and with traditional made harpoon.  Guided by our ancestors’ spirits they would paddle all day to find sea turtle and dugongs in the right places. The men had to be smart for the tide and know the weather to balance their canoes. They would go at times of mábbularr (calm), early morning in daytime or at night-time when there is no moon and the water glows. We call the night-time glimmer of phosphorescence mílarrng-milarrng. Today people still go hunting, it brings a lot of families together and they share eating down the beach.

We have songline for sea turtle, also men paint turtle on their back and dance turtle in the Míddjarn the same way turtle dance underwater. It is very important we look after our country and songline passed on from many generations’. Josephine James 2021

377810582356804



Mabbúlarr (Calm Still Water)

Mabbúlarr is the Ndjébbana word describing calm and stillness – both regarding people and the ocean.

This design tells the story of underwater life in the shallows. The turtle we call marláddja (green turtle, Chelonia mydas) and the stingray we call marnandjúbba (Cowtail Stingray, Pastinachus sephen).

‘When strong wind blows the sea is rough, when there’s no wind the sea is calm. We call that mábbularr. You can see through the water and look at the turtle and stingray eating karlómerr (sea grass) and dancing underwater to find their mate. When we go on the boat hunting, we go at times of mábbularr.

In the old days men used to hunt with a canoe and with traditional made harpoon.  Guided by our ancestors’ spirits they would paddle all day to find sea turtle and dugongs in the right places. The men had to be smart for the tide and know the weather to balance their canoes. They would go at times of mábbularr (calm), early morning in daytime or at night-time when there is no moon and the water glows. We call the night-time glimmer of phosphorescence mílarrng-milarrng. Today people still go hunting, it brings a lot of families together and they share eating down the beach.

We have songline for sea turtle, also men paint turtle on their back and dance turtle in the Míddjarn the same way turtle dance underwater. It is very important we look after our country and songline passed on from many generations’. Josephine James 2021