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Kungkarrangkalpa (Seven Sisters)

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

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Beverly Pula Luck – My Mother’s Country

Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life.  Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants. 

Beverly’s paintings are joyous and full of information regarding bush medicine plants.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Beverly Pula Luck – My Mother’s Country

Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.

The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life.  Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants. 

Beverly’s paintings are joyous and full of information regarding bush medicine plants.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Tjintirr- tjintirr /willy wagtail wati and kirta–kirta black -bird wife

This is the story about tjintirr- tjintirr / willy wagtail man and kirta -kirta black -bird wife.

These two husband and wife had lots of children. They made a big wiltja/ home for their family. One day big rains and wind came and washed the wiltja away. When the rain stopped they started walking, looking around for a new place to make a new wiltja on high ground. They saw a mumu / devil and all children were crying. The husband went to get his spear and sneaked up on the mumu, he put the spear through the mumu heart. 

 

 

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Kuniya Tjukurpa – Wana Wipiya Wipiya

The story begins at Tjuntun Rockhole, near Fregon in South Australia. This is where the Wanapi Snake set out on its journey, moving through the land, carrying its song and its knowledge. As it travelled, it shaped the country, leaving its mark along the way.

Singing the land into being, the Wanapi Snake travelled toward a place that goes by the name of Uluru, moving along its own road, leaving eggs at Ngarutjara, a place holding deep significance. From there, the snake continued on to Piti Pulka, a great Rockhole, before making its way further north.

When it reached Atila, it paused. From here, the snake could see Uluru in the distance. It thought of family there, of kin and ancestors who had walked that land before. And so, it continued forward, until it arrived at Uluru, carrying the song, carrying the Tjukurpa.

At Wana Wipiya Wipiya, it sang again—singing of the land, of the journey, of belonging. This place, this country, is held by the family. It was given by her grandfather and uncle, passed to her mother, her unties and now to her, passed through time. The Tjukurpa remains, carried forward, alive in story, in song, and in the land itself.

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Kungkarrangkalpa Indulrungkalpa (seven sisters, Bush medicine)

In Kungkarrangkalpa Indulrungkalpa (Seven Sisters Bush Medicine) Anawari intertwines the Seven Sisters narrative with the art of making bush medicine. Depicting special leaves and shrubs with the circular technique used to skilfully brew into tea or crafted into rubbing ointment. Anawari is a custodian of Kungkarrangkalpa Tjukurrpa (dreamtime) for the Ngaanyatjarra Lands. Wati Nyiru (Magic Man) fell in love with the sisters; he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, he is persistent, shape-shifting into other forms looking for the sisters. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. 

 

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Lidji Lidji (Finch)

This artwork represents totemic finches. These birds herald the beginning of the dry season and are associated with the Ganalbingu clan. Lidji Lidji are also represented in ceremonial song and dance.

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Kindy Kemarre Ross – Irrultja is My Country

My country is called Irrultja, it’s past the hill and the dried-up creek from here, it’s a nice place, my dad’s country too, and my Mum’s country is here in Ampilatwatja. When I go to see my country, we always go to gather bush medicine, we always climb up the hill that’s in the south, we always go there.

We like to look out over the land and there are lots of flowers and bush medicine up there. I love my countryside; I see the nice flowers and gather bush medicine for me and my family. I like to paint a mix of wildflowers and bush medicines in all my paintings because it reminds me of my favourite part of my country and when it rains the flowers come out. Yeah, my countryside.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

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Kathleen Nanima Rambler – Mulangke Aherne (Beautiful Land)

My country. When I go hunting out bush, as we drive along the road towards the hill you can see the beautiful land and the flowers blooming on the side of the road, and near the hills, even the beautiful gum trees.

It makes me proud.