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Kunmadj (dilly bag) and Kundalk (grass) – Temika

There are two distinct Lino print designs in this fabric. 

The first depicts a kunmadj (dillybag) made with Kundayarr (pandanus fibre). The second tile depicts Kundalk ( grass). 

This is Temika’s first Lino print design. She is the granddaughter of internationally acclaimed fibre and textile artist, Deborah Wurrkidj.

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.  Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate. 

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Bush Flowers

This fabric was created using the linocut fabric printing technique which has been refined at Bábbarra Women’s Centre since it was introduced in the early 2000’s. 

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is coloursafe and can be thrown into a washing machine. Repeated use will soften the fabric and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. The deep relationship we have with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’ Bábbarra Designs Artist Statement

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Gunga (Pandanus)

Gunga refers to the weaving and production of goods from pandanus leaves and natural fibres. This design depicts fibre art from her homeland Galiwinku, Elcho Island.

The fish trap, basket, string bag and pandanus mats are objects as well as ancestral spirits and are significant to the artists as together they relate to her djang (Aboriginal religious belief).

Fish traps are woven by hand using the milirl (Burney vine, Trophis scandens) from the jungle, which is soaked overnight to make it soft. Fish traps are used by both saltwater and freshwater hunters. Baskets and pandanus mats are made from pandanus leaves, which are collected using long hooks, stripped, dried, boiled in natural dye, then woven.

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Bush Apples

This fabric was created using the linocut fabric printing technique which has been refined at Bábbarra Women’s Centre since it was introduced in the early 2000’s. 

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is coloursafe and can be thrown into a washing machine. Repeated use will soften the fabric and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. The deep relationship we have with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’ Bábbarra Designs Artist Statement

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Djomi (Fresh Water Spirit)

This design depicts the story of the artist’s ancestral dreaming, the Djomi fresh water spirit mermaid.

The Djomi figure is a mermaid like spirit with fish tail that lives in the fresh water stream that flows out to the sea cliff near Maningrida. Djomi is a known to be a very powerful fertility symbol.

‘If you go there you can get pregnant easily. Djomi has babies, and they can give others babies too. The Djomi spirit is so powerful, that women can end up with multiple babies at once, twins or sometimes even more. The Djomi spirits lay eggs near the sacred freshwater stream in Maningrida. Inside the eggs are human babies as well as young Djomi.

Men do not go near that swamp, because Djomi is so powerful that men might get pregnant there too. So men, they are too scared of that Djomi. When we visit the Djomi freshwater spring, we can hear young Djomi crying. They sound like normal babies crying, those Djomi spirits. They are looking for a mother.

This Djomi is my dreaming, I got permission from my djunguys to paint this Djomi design. For me I always ask my djunguy permission to paint, because that is our cultural way.

This design also depicts the fresh water lily leaves, and seaweed from the base of the sea floor.

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Ngaldadmurrng (Saratoga)

This design tells the story of Saratoga dreaming,  a freshwater fish that swims on the edge of creeks and rivers. This design is the Saratoga dreaming from the Mularra songline. Where the Saratoga we call Murdulngu, Danguny travelled from Malmyangarnak billabong to Mirrigatja.

This Billabong was owned by Murdulngu (Saratoga) before the water was taken over by shark Barlangu he came all the way from east to north then to west. He was travelling when that water level was high he went up the stream but he couldn’t make it. This Barlangu came from Murruggun clan but really this shark came from long way all the way south. This story is connected through Mularra songline it represents many clans.

With permission from clan elders, Carol is able to pass on this family knowledge through her passion in textile and art.


‘I am proud of my first design, I want to keep this design for future, for my children and grandchildren so they remember this story, this story is a big part of the mularra songline’ Carol Liyawanga Campion

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Dilly Bags

This fabric was created using the linocut fabric printing technique which has been refined at Bábbarra Women’s Centre since it was introduced in the early 2000’s. 

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is coloursafe and can be thrown into a washing machine. Repeated use will soften the fabric and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. The deep relationship we have with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’ Bábbarra Designs Artist Statement

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Kayawa (baby floor mat)

A round design depicting a small pandanus floor mat used to nurse a baby. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.