July 2025

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Wayuk (Waterlily)

Wayuk (Waterlily) Nymphaea violacea. 

The stem of wayuk is a popular bushfood and the beautiful flower is enjoyed across Arnhem Land. 

This fabric was created using the linocut printing technique. The lino tile has been carved by the artist in Maningrida, and has been printed by hand using a variety of colours and layers. The linocut technique ensures each textile piece is a one-off, limited edition piece. Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

By CompNet Systems, ago

377810582374333

Marlin fish bone

This fabric was created using the linocut fabric printing technique, which has been refined at Bábbarra Women’s Centre since it was introduced in the early mid 1990’s

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is colour-safe and can be thrown into a washing machine. Repeated use will soften the fabric and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. Our deep relationship with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’

Bábbarra Designs Artist Statement

By CompNet Systems, ago

225182374332

Kudi (Barramundi)

Kudi (Barramundi) is of great cultural importance for our Kuku Yalanji families. It is a major food source for us. We hunt them when they are fat. Kudi (Barramundi) is also one of a group of totem names that our elders give to a newborn child of the younger generation. A child who receives, for example,  Kudi (Barramundi), as a totem name will be protected by the barramundi’s spirit their entire life.

By CompNet Systems, ago

377810582374331

Wayuk and white flowers

This fabric was created using the linocut fabric printing technique, which has been refined at Bábbarra Women’s Centre since it was introduced in the early mid 1990’s

The Lino tile is carved by the artist at Bábbarra Designs. It is printed on fabric by hand using a variety of colours and layers. The linocut technique ensures each textile is a one-off, limited edition piece.

The fabric is colour-safe and can be thrown into a washing machine. Repeated use will soften the fabric and some fading will occur over time. 

Bábbarra Women’s Centre supports the economic independence of Indigenous women in the Arnhem Land community of Maningrida, Northern Territory, Australia. Designs created by the women at Bábbarra reflect strong cultural knowledge, which is passed down to younger generations through their textile design practice.

‘Themes in our artwork almost exclusively come from our Country and cultural connection. Our deep relationship with the land and seas of our customary clan estates strongly defines and governs the social, cultural, spiritual and territorial aspects of our lives.’

Bábbarra Designs Artist Statement

By CompNet Systems, ago

225182374329

Kudi (Barramundi)

Kudi (Barramundi) is of great cultural importance for our Kuku Yalanji families. It is a major food source for us. We hunt them when they are fat. Kudi (Barramundi) is also one of a group of totem names that our elders give to a newborn child of the younger generation. A child who receives, for example,  Kudi (Barramundi), as a totem name will be protected by the barramundi’s spirit their entire life.

By CompNet Systems, ago

225182374327

Wambiji (Platypus)

Platypus are very shy. They like to hide under rocks and can rarely be seen when people are around.  When I was 17 years old, I used to go for a swim with my partner, Laurence, in the Mossman River, at a site called Jabuljabul (Girls/Women). Some mornings, a  platypus was coming out of his hiding place, searching for food. He swam around. When he heard us, he swam back to his hiding place until we were gone.

By CompNet Systems, ago

225182374324

Kadanji (Black Cockatoo)

The black cockatoo is my totem. It has been passed down to me from my grandmother and her sisters, to my mum and her sisters and then it came to me and my sisters.

I use the black cockatoo often in my art not only because it is my Totem but also to thank my grandmother’s sisters (Kae Creek, Leyla Creek and Margaret Rocky). They are artists and I used to watch them when I was a young girl. This inspired me to become an artist myself.

So, the Black Cockatoo shows on a personal level how I honour to these women artists, who came before me and changed my life.

By CompNet Systems, ago

225182374322

Kurranji (Cassowary)

Long time ago, the cassowary was a precious food source for our ancestors. They ate the meat and the eggs, used the feathers for ceremonies and weaving, and the skins for blankets.  The Cassowary is a powerful Totem for us because it helps growing many plants that were important for food, medicine and tool making. The Cassowary can walk wide distances and spread the seeds of the fruits he eats everywhere. Plants grow also out of his dung.

I show the cassowary in my art because it is also my partner’s totem. He performs the cassowary dance in public ceremonies. It was bestowed on him by his mother’s sister when he was a young boy. In 1997 he went with the Yalanji Dance Group to Hong Kong to perform the Cassowary dance there.”

By CompNet Systems, ago

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Untitled

“Sand dunes, going into Punmu from Telfer side. Long sand dunes, short sand dunes.” – Judith Aspro The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tali or tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, and yet these land and the location of resources within was known intimately by its pujiman (traditional, desert dwelling) inhabitants. At this time, Martu traversed very large distances annually in small family groups, moving from water source to water source through the harsh desert landscape with incredible stamina and resourcefulness. Travel was often undertaken at night, and when travelling through the day, Mart wore yakipiri (woven bark sandals) to protect their feet from the hot desert sand.

By CompNet Systems, ago