I paint my Great Grandmothers country around Canteen Creek. Long time ago she hunted around this soakage in this country. When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.
I hunt this country now.
My country is called Irrultja, it’s past the hill and the dried-up creek from here, it’s a nice place, my dad’s country too, and my Mum’s country is here in Ampilatwatja. When I go to see my country, we always go to gather bush medicine, we always climb up the hill that’s in the south, we always go there.
We like to look out over the land and there are lots of flowers and bush medicine up there. I love my countryside; I see the nice flowers and gather bush medicine for me and my family. I like to paint a mix of wildflowers and bush medicines in all my paintings because it reminds me of my favourite part of my country and when it rains the flowers come out. Yeah, my countryside.
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
These bush flowers grow seasonly in Alyawarr country, some of which are also used in bush medicine remedies.
When I go out hunting, I like to see all the bush flowers that are flowering and then when I come back, I paint them.
The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
Beverly paints her Mother’s country. When Beverly was a child her mother took her all around her country and showed her the bush medicine and bush tucker.
The knowledge of the bush plants has been handed down through generation to generation and Beverly still spends time hunting and collecting bush medicine plants to use in everyday life. Taught by her mother and grand mother, Beverly also sings the songs of the bush medicine plants.
Beverly’s paintings are joyous and full of information regarding bush medicine plants.
The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
My mothers country is flowers, trees and mountains. I love to paint them. We see springs, the water from the springs is like rainwater, fresh and clean. We hunt goanna and turkeys, we roast them in the fire and the flesh is strong and sweet.
When we hunt we sleep at night next to the fire, the skies are big and the stars are beautiful, it makes me feel good.
This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.
Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.
“This is my country, my view of country.”
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
Here the artist paints shellfish and mud crabs at Gariyak, the county represented in many paintings relating to the Djang’kawu Sisters’ journey. In the coastal mangroves the sisters hunted mud crabs, and baler and conch shells to eat.
Aboriginal art in Ramingining, Central Arnhem Land is commonly illustrated through designs and images of animals, plants, and landscape. These motifs commonly reflect the artists ancestral inheritance and their dreamings and are referred to as totems.
For this painting, the artist has painted Northern Marbled Velvet Gecko (Oedura marmorata) coming in and out of a hollow log.
This is my country, it’s the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is always good hunting on my country. It is good for me to paint my country and it makes me feel good.
The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.