114182379845



Kungkarrangkalpa (Seven Sisters) – Angilyiya Mitchell

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit. 

This painting maps the site of ‘Kuru Ala’ (two-eyes), a sacred place for women in Angilyiya’s mother’s country south of Papulankutja (Blackstone). Wati Nyiru was following them, disguising himself as a Quandong tree, a Yirli (wild fig tree), and then a carpet snake, spying on them as they made camp and dug for food. 

“This is the story about my Grandmother’s country, south of Papulankutja. You can see today the circles at the site in the cave from that Dreamtime story. It’s the young girls turning into young women. The bigger circles are those already women. They have been travelling for food and they saw that man had already taken the big sister. So they are taking her to the second cave for resting and getting better. You can see that man sitting; the rock hole down the bottom “Kuru Ala”, they drank that water in the early days. We still drink this water today”.

225182379838



Wakuka (Kookaburra)

Wakuka (Kookaburra) is an important totem or spiritual being for our Kuku Yalanji clans. We call him a messenger bird because he lets us know when a family member has passed away.

377810582380325



Ngalng (fresh water yabby)

Ngalng (fresh water yabby)

‘This is a story from Mankorlod. This is a djang story. This is the creation story about the fresh water yabby. Starting with the stone, that’s the raw one and the cooked one. The stone rock suddenly turned to ngalng, in a flash. Ngalng started growing and turned into a body. It’s a magic one and it can change from rock to ngalng to human and back to ngalng. Now it’s a ngalng. 

The country is near Mankorlod and Korlobididah. The ngalng is stuck there forever on the rock at Korlobididah,’ 

‘There is also duruk (camp dog) called ‘Djanbokkon’. This is a duruk that comes from water and no one has seen it. This is a true duruk, he goes everywhere in the country. His body is striped. He is a secret dog and he has a secret story.’ 

Janet Marawarr 2022

377810582380324



Bawáliba (Stone Country Mimih)

“Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair. In olden times, long long long time ago Bawáliba were here, before people were on the land. Bawáliba used to go out hunting and care for Country. They hunt carrying fish traps and digging sticks, near the homeland ,Djinkarr. They go out hunting on the floodplains with dilly bags and digging sticks. They collect a lot of bush foods, and sleep together with one bark shelter.
Sometimes now they still come alive when we sleep, they might come to our houses and peep through the window. At night, they cover themselves with white clay and red cloth tied around their waist. If we hear them, we jump out of bed and get up to look -but they have disappeared, they’re just too quick. Bawáliba might knock on the window to remind us they are there looking out for us.If you listen deeply, you can hear them whisper, sometimes they talk about us and might say, ‘why are those people making camp here?’ then they realise ‘Oh they are family from here, it’s ok, they are just sleeping here for the night’.

During the day they always turn into stone and they sleep. We still know that green rock covered in moss near Djinkarr, that’s Bawáliba sleeping. Some of my ancestors used to speak the same language as the Bawáliba, but all those old people have passed away now. It’s a little bit sad for us, because no one can speak that Bawáliba language anymore.”

Lucy Yarawanga 2019

377810582380323



Kukurlk Kare (Going Underground)

Karrinung kukurlk kare, karrijare manme (we are going underground looking for food).

“This is my country. In this painting, I’m looking at her little bit different way. This is what we see when we’re kukurlk kare (going underground)

Man-kurndalh (Black plum) I call mother. It is my mother’s Djang/Dreaming. The bush onion (kulumuduk) is white, the same as onions you buy at the store. We don’t eat this one though, it’s poison.

Wayuk is the water lily, with the big root growing in the earth. This is when that water is drying up a bit. There are worms and beetles- this is what we see underground, when we are digging for manme.”

-Jennifer Wurrkidj

 

377810582380322



Kukurlk Kare (Going Underground)

Karrinung kukurlk kare, karrijare manme (we are going underground looking for food).

“This is my country. In this painting, I’m looking at her little bit different way. This is what we see when we’re kukurlk kare (going underground)

Man-kurndalh (Black plum) I call mother. It is my mother’s Djang/Dreaming. The bush onion (kulumuduk) is white, the same as onions you buy at the store. We don’t eat this one though, it’s poison.

Wayuk is the water lily, with the big root growing in the earth. This is when that water is drying up a bit. There are worms and beetles- this is what we see underground, when we are digging for manme.”

-Jennifer Wurrkidj

 

377815582380182



Untitled

 This artwork showcases the artist’s skillful use of colour, texture, and technique, reflecting a deep connection to their environment and culture. Each detail embodies the unique identity of Bidyadanga Artists, where the original five language groups—Nyangumarta, Mangala, Yulparija, Juwaliny, and Karrajarri—come together to create art that speaks to the heart of Country. Over time, the community and Art Centre has grown to include people from other Kimberley tribes, fostering a space where diverse cultural knowledge and practices come together. Situated where the desert meets the sea, artists draw inspiration from their ancestral Country and personal journeys. The artist captures the vibrant beauty of both desert and coastal landscapes, blending earthy reds, deep blues, and intricate patterns distinctive to their cultural heritage. The themes and composition invite viewers into the artist’s world, offering a glimpse of the rich, intertwined histories and the enduring connection to land and spirit that define the Bidyadanga community.