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Linda Anderson Karrkururrutintja Tjukurrpa (Lake M

Linda has painted this lake South-West of Kintor. This story was passed on to her by Naputa Nangala Tjukurai who is the sister of Linda’s step-father, who passed the story onto her. The circles represent rock holes. The joined together ‘U’shapes represent the women collecting water from the lake. Linda has also painted women dancing and women and children sitting around the water hole. The wavy lines at each end of the painting represent the mountain ranges surrounding the Lake McDonald.

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ada andy Kapi Tjukurrpa

This painting tells one of many water dreamings from the Papunya area. The circles represent important water or rock hole sites. The background design symbolises the landscape after the rains when the earth has been replenished with new growth. The rock holes collect the water during the rains. Knowledge of where to find water is handed down from generation to generation to ensure survival in the desert. This work represents the elements of a storm – wind, rain, thunderclouds and lightning. It also tells the story of rain and water flowing from the waterholes and flooding the usually dry creek beds. If present, the U shapes are the women sitting around the rock holes. 

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Doris Bush- Pilkati anta rumiya (Snake and goanna)


Snake this one, eating, here, at the water. This mob over there are stabbing it with a spear. He’s trying to bite and eat that one over there. And that over there is coming to look at him, that one. This one, he’s watching, he is, ‘ooohhh!’, sneaking up intending to bite it. That one over there …
he bit him, that goanna yep, this one.
Coming to here, coming through the bush to the water, ‘ooohhh!’, they see it! ‘What happened here?’
Over there, a goanna is coming along. Going, going into the bush, across the water, sneaking up to try and bite it.
Yeah, this one, two men standing, over there is another, there watching all this the snake,
see? And see this line … he’s slowly sneaking along it.

After that, that one over there stabs him with a spear, with a spear he stabbed. Went and got that goanna and ate it, over there came and see all this mob.


Yeah, finished like that, that’s how I made this one by the water.

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Glenda Kapi Tjukurrpa

The painting depicts designs associated with Kapi Tjukurrpa (Water Dreaming) at Kalipinypa, a site northwest of Kintore. The Tjukurrpa tells of an important rain making ceremony to invoke the elements. It is a powerful storm bringing on the lightning, thunderclouds and rain sending its deluge to rejuvenate the earth, filling rock holes, clay pans and creeks. It has the power to create new life and growth upon the land.

In this painting Glenda has used the larger shapes to depict tali (sand hills) at the site of Kalipinypa. She has also used dots to represent Akatjurra (bush tomato) that have come to life after the rain. 

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Flora Brown Mina Mina Tjukurrpa (Lake Mackay Dreaming)

Mina Mina is a salt lake place between Nyrrapi and Kunatjarryi. It is snake country. A place full of lightning and thunder. The language of the country is Yanama, and if you speak a different language the snakes will eat you. The white dot represents the dried salt.

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Doris Bush- Pilkati anta rumiya (Snake and goanna)


Snake this one, eating, here, at the water. This mob over there are stabbing it with a spear. He’s trying to bite and eat that one over there. And that over there is coming to look at him, that one. This one, he’s watching, he is, ‘ooohhh!’, sneaking up intending to bite it. That one over there …
he bit him, that goanna yep, this one.
Coming to here, coming through the bush to the water, ‘ooohhh!’, they see it! ‘What happened here?’
Over there, a goanna is coming along. Going, going into the bush, across the water, sneaking up to try and bite it.
Yeah, this one, two men standing, over there is another, there watching all this the snake,
see? And see this line … he’s slowly sneaking along it.

After that, that one over there stabs him with a spear, with a spear he stabbed. Went and got that goanna and ate it, over there came and see all this mob.


Yeah, finished like that, that’s how I made this one by the water.

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Simon Yungut – Tingari

Simon’s paintings depict the dreaming stories and the travels of the Tingari, using the traditional concentric circle and line design.

Tingari refers to the Dreaming and its Laws for the Pintupi language group of the Central Western Desert. The Tingari is the Creation era when the Dreamtime Ancestors moved across the lands, creating the features of the landscape and all aspects of the natural world.

The Tingari story is mostly of a secret nature, and the men are usually given greater emphasis than the women. Aboriginal people believe the Creation or Dreamtime is the beginning of ‘knowledge’, when the laws of existence were put together. It is also the beginning of time when the supernatural Ancestral beings were born out of their own eternity. It is said the Ancestors moved across the then barren surface of the world, holding ceremonies, hunting and fighting. In doing so they changed the form of the land creating the mountains, rivers, trees, plains, water holes and sand hills. The Ancestors were honoured by Aboriginal people in corroborees performed at sacred sites where the spirit of the Ancestors had became part of the landscape, or turned into entities such as rocks or trees.

Simon draws inspiration from his father, Johnny Yungut Tjupurrula of the Western Desert, with visible evidence of the style and tjukurrpa being passed down.