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Tali at Kungkayunti – Audrey Top

This funky piece of wearable art is part of our collaboration with Publisher Textiles. Each shirt is hand screen-printed and made in Sydney, Australia!

Timeless and stylish, just like its name sake Audrey Hepburn. This simple box cut top features short sleeves, a flattering rounded neck, and a long waistline.

This versatile top transitions from the office into the evening, perfect paired with a fitted pencil skirt or classic black trousers.

Featuring design by artist Lisa Multa:

This design by Lisa Multa depicts the birds eye view of the tali tali (sandhills) at Kungkayunti (Brown’s Bore). This is the country of Joe Tjakamarra Multa, the father of Douglas Multa, Agnes Multa, Lisa Multa, Alison Multa, Rephina Multa, Benita Multa and Patricia Multa and the grandfather to their children. The tali tali are a short walk from where the family lived and the children of Joe grew up.

Lisa remembers walking up the tali tali with her sister, Agnes Multa, who was the same age as her. When Lisa got married she brought her partner to see those tali tali. From the tali tali, a 360-degree view can be seen of the surrounding country. The area is abundant with bush tucker, especially bush tomatoes and bush banana.

Kungkayunti is an important place for the travelling Tjukurrpa of the ancestral Arrernte women who travelled 600 kms from Ntaria (Hermannsburg) to Kintore, past Kulpitarra (Outstation) to attend to women’s business. Kungkayunti is the place where the women first camped. On their long journey, the women stopped at Kunkayunti (Brown’s Bore) to camp, rest, eat and dance. When the women reached their destination, they danced, shared their stories and renewed their law. Those women turned into stone and can be seen today. Annual events continue today to strengthen this Tjukurrpa.

This fabric has been screen printed by hand by Published Textiles and Papers, ensuring the highest quality and longevity.

About the Makers:

Publisher Textiles & Papers is one of Australia’s leading print houses. Focused on producing original patterns through traditional hand-screen printing methods we create bold and colourful textiles, hand printed wallpaper, clothing and fabric.

Hand printed in our studio in Leichhardt.

Treat this handmade garment with love and it will love you back! Cold gentle machine wash, drip dry in shade, warm iron. Avoid the tumble dryer and dry cleaner.

Being handmade there may be some print variations, making each garment unique.

Hand printed and made in Sydney.”

Sizing

Bust measurements:

6: 91cm

8: 96cm

10: 101cm

12: 107cm

14: 113cm

16: 119cm

Returns Policy

Please be aware when purchasing clothing, we do not offer a refund for change of mind. As we and our manufacturing partners, Publisher Textiles are still ironing out the kinks in production there may be some inconsistencies in details given and the finished product (sizing guides and base fabrics are the main culprits). During this period we are happy to offer a refund or exchange for items that do not match the description given. Once things are running smoothly we will no longer offer refunds and will only be able to offer an exchange or store credit for clothing purchases.
Please also be aware we are not able to offer refunds or reimbursements for postage costs.

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Status: Stock


Magpie Goose Women’s Shorts Various Designs

Alice depicted the Tali Tali (sandhill) Tjukurrpa (Dreaming). Her work refers to the vast and desolate sandhills of her country near Taalalpi, which is located beyond the Kintore/Kiwikurra road near the West Australian and Northern Territory border. This is the country where her father and mother used to travel by foot when she was a young girl. The place was still of great spiritual significance to Alice  and her father’s family as it contains both, personal and tribal law to which Alice  related to in her work. When it rains at Taalalpi, water collects between the sandhills, providing sustenance for her porcupine. Tjilkamata (porcupine) was Alice  own personal Tjukurrpa (Dreaming). She returned to her country for a visit in late 2005.

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Status: Stock


Watiya Tjuta Hand Screen Printed Community Made Cushion Cover – Large

‘Watiya Tjuta’

Napurrula’s father, Tupa Tjakamarra gave her the right to paint works related to Ilyingaungau in the Gibson Desert. This site, south of Walungurru (Kintore), some 520 kilometres west of Mparntwe (Alice Springs), is where the artist’s Mutikatjirri ancestors assembled their kulata (spears) for a conflict with the Tjukula men. Allusive works that refer to the straightening of kulata by Tjupurrula are among the landmark paintings of the Ikuntji Artists movement’s 30-year history.

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Re painting currently

‘Kungkarrangkalpa’ (The Seven Sisters or Pleaides) is significant Tjukurrpa (dreamtime). Its origins you may be familiar with in astronomy and its connection to ‘Wati Nyiru’ (Magic Man or Orion).  The roots of this dreaming stems across indigenous groups around the world. The Australian Aboriginal songline is one part to the whole dreaming which can be traced all around the world. The ladies of the Ngaanyatjarra Lands depict their significant chapter and understanding of the journey of the sisters. The different versions of this story depend on where you live and the significance’s of local Tjukurrpa places.

Nyiru fell in love with the sisters but he was of the wrong skin group to marry, but he still pursued them on their journey. The sisters travel across the land to escape Nyiru’s unwanted attentions, but he is persistent and always finds them. There are significant land forms which can be sited today that evidence this dreaming. As Nyiru is chasing the sisters he tries to catch them by using magic to turn into the most tempting kampurarrpa (bush tomato) and the most beautiful Yirli (wild fig tree), for them to eat and camp under. However, the sisters are knowledgeable of his magic and too clever for Nyiru who they outwit again and again. They go hungry and run through the night rather than be caught by him. As the journey continues, Nyiru gets so frustrated at the wit of the sisters that he uses his magic to make the oldest sister sick to try and get closer to her. The other sisters rescue the big sister and nurse her back to health. It is said he also captures the youngest sister, but with the help of the oldest sister, she escapes back to her sisters who are waiting for her. Eventually, the sisters fly into the sky to escape Nyiru, forming the constellation. Nyiru felt lonely, longing for the sisters who were so far away. Nyiru used his magic to go to the sky, forever in pursuit.

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Yindjibarndi Munggu- Anthill Country – Judith Coppin

“This work is about Yindjibarndi Munda (rocky hills) on the tablelands, on my Ngurra (country).  My ancestors walked the land. The old ladies would get the seeds from the grass and grind it down to make flour.   The ladies would sit at the bottom of the hill while some of the old men would be carving pictures in the rock.  They tell stories with their carving, wirjuna (hill kangaroo), emu, lizard.  They are still there today.  We go there sometimes when we go out camping, nobody can touch it.  Keep it safe. Makes our spirit happy seeing it again.”

– Judith Coppin

 

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Burndud Ground

The Burndud is the sacred Marrga creation spirits dance ground at Birlinbirlin on the Fortescue River. It is an important story in Yindjibarndi culture which relates to Birdarra Law. Its a dance in our traditions, It’s a unique law and it belongs to the Yindjibarndi people.

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Wuyumarri – Yandi-uuru

Beautiful morning colours we wake up to when out at ngurra. I focused on the carved feature named Yandi-urru. Yandi means north and urru means river, in Yindjibarndi.  My father taught me the songs of this place, that’s why I know its proper name.