Status: Stock
Handwoven woven raffia necklace with beading
Handwoven woven raffia necklace with beading assorted designs
22204008864
Status: Stock
Kaiela x Gammin Kids T-shirt Yellow
YO! My name is Tahnee Edwards, I’m a proud Yorta Yorta and Taungurung woman, designer and community worker. Gammin threads is my side hustle and creative outlet from my part-time job at Aboriginal family violence prevention service, Djirra.
Gammin threads is a love letter to my culture and to blackfellas everywhere. It’s a staunch aunty label that likes good design and being cheeky.
22204002721
Status: Stock
Kaiela x Gammin Kids T-shirt Black
YO! My name is Tahnee Edwards, I’m a proud Yorta Yorta and Taungurung woman, designer and community worker. Gammin threads is my side hustle and creative outlet from my part-time job at Aboriginal family violence prevention service, Djirra.
Gammin threads is a love letter to my culture and to blackfellas everywhere. It’s a staunch aunty label that likes good design and being cheeky.
22204008849
Status: Stock
Jarang Creative Earth Designs – Handmade earrings
Jarang Creative Earth Designs is founded by duo Cassandra Clarke, a Bundjalung and Wemba Wemba woman born and raised on Yorta Yorta Country and Brady Jones, a Yorta Yorta man also born and raised on Yorta Yorta Country. Jarang means the “meeting of two rivers” in Bundjalung language, which is precisely what Brady and Cassandra describe their partnership. Jarang creates products & crafts using natural materials collected from Country or ethically sourced. Jarang’s jewellery products and artefacts are all hand made. Their woven pieces are all naturally dyed with plants collected from country and their artefacts such as clap sticks and coolamons are all sourced from red gum across Yorta Yorta Country carved and treated in a traditional smoking process.
11414008847
Status: Stock
Punu Clapping Stick
116182338629
Wardapi Jukurrpa
‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs out other one. Need to hunt him together. Find all the holes. Dig them at the same time. Someone going to get him that way.’
The Wardapi Jukurrpa [Varanus Gouldii Goanna] belongs to the Spencer Sisters. It comes from Yarripilangku [aka Yinyiripalangu], south-west of Yuendumu. A group of Warlpiri Karnta [women] are sitting down in a circle when a Japangardi Wati [man] from Puturlu [Mt Theo], called Wamaru came upon them. He wants to take one of them, named Yurlkurinyi, of Nungarrayi skin, which is the wrong skin for him. He takes the Nungarrayi woman up a hill, where they make love. In response, the earth on top of the hill turns to Ngunjungunju [white ochre], and yellow and red ochre. The yellow is for Karnta and the red for Wati. The ochre is used by Warlpiri people for love magic and ceremonial decoration. The Wati turns all the Karnta and himself into Wardapi, aka Varanus Gouldii goannas. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi /Jungarrayi subsections, and the Japanangka/Napanangka, Japangardi/Napangardi subsections of Puturlu. The women are often represented by ‘U’ shapes. Concentric circles may illustrate Wardapi holes, or their droppings left behind them, and Wardapi tracks are usually represented by ‘W’ shapes and wavy lines.
220982341217
Chloe Ngwarraye Morton – View of Country
This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.
Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.
“This is my country, my view of country.”
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
220982347139
View Of Country
This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.
Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.
“This is my country, my view of country.”
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
220982347137
View Of Country
This shows the layered landscape of Alyawarr, Central Australia. Knowing your country is an important part of living in a remote community like Ampilatwatja.
Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.
“This is my country, my view of country.”
The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.
116182350638
Wardapi Jukurrpa
‘This painting is about the way women hunt Wardapi – that sand goanna. He digs holes in the dunes, makes his nest deep inside. Many of the holes all join up. Women hunt Wardapi in the dunes by digging out the holes. Sometimes cover one, and Wardapi runs out other one. Need to hunt him together. Find all the holes. Dig them at the same time. Someone going to get him that way.’
The Wardapi Jukurrpa [Varanus Gouldii Goanna] belongs to the Spencer Sisters. It comes from Yarripilangku [aka Yinyiripalangu], south-west of Yuendumu. A group of Warlpiri Karnta [women] are sitting down in a circle when a Japangardi Wati [man] from Puturlu [Mt Theo], called Wamaru came upon them. He wants to take one of them, named Yurlkurinyi, of Nungarrayi skin, which is the wrong skin for him. He takes the Nungarrayi woman up a hill, where they make love. In response, the earth on top of the hill turns to Ngunjungunju [white ochre], and yellow and red ochre. The yellow is for Karnta and the red for Wati. The ochre is used by Warlpiri people for love magic and ceremonial decoration. The Wati turns all the Karnta and himself into Wardapi, aka Varanus Gouldii goannas. This Jukurrpa belongs to the Napaljarri/Japaljarri and Nungarrayi /Jungarrayi subsections, and the Japanangka/Napanangka, Japangardi/Napangardi subsections of Puturlu. The women are often represented by ‘U’ shapes. Concentric circles may illustrate Wardapi holes, or their droppings left behind them, and Wardapi tracks are usually represented by ‘W’ shapes and wavy lines.