This design is inspired by the red sand dunes that are found throughout the central desert. There is a large red sand dune near Ernabella named Wamikata which is a popular place for looking for maku (witchetty grubs) and for teaching Milpatjunanyi (telling stories in the sand) to children.
Tanmata or bush onions are found near creek beds on the Aṉangu Pitjantjatjara Yankunytjatjara (APY) Lands in the remote northwest of SA. Aṉangu bake the small bulbs in hot ashes and then remove the outer papery covering (nyiri) before eating them.
Until comparatively recently, bush foods were the primary source of sustenance for Aṉangu Pitjantjatjara. Many bush foods are still gathered regularly, almost exclusively by women, and they therefore feature strongly in women’s mark making. Women learn the art of gathering each of the foods from a young age and much inma (ceremony) relates to these practices and the maintenance of supply.
There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.
Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.
Waru used to live all across central Australia but now they are only found in two small areas near Pukatja and Kalka on the APY Lands. Jeffrey has long been known for his paintings of local birds and in 2025 he has started depicting waru.
For the Pitjantjatjara people living in the desert, knowledge of their water sources was critical to their survival. This resulted in an intimate understanding of the landscape which continues today. Water is an essential element in the desert. These rock holes were particularly important during the dry season when most of the water holes and creeks dried up. Deep familiarity with the topography of their country and the way rain would interact with the land ensured constant sources of water could be found. Knowledge of rock hole sites is passed on from generation to generation and revered by all Anangu (people).
Tjukula means rock-hole, which are found with surprising frequency in the Musgrave Ranges and country around Ernabella. Between visits, Anangu would use a construction of rocks and spinifex to guard these important water sources from spoilage by feral and stock animals such as cattle, camels, horses and donkeys.
Stories are told of the Kaliny-kaliny or Honey Grevillea flower which is a favourite bush food of the Anangu Pitjantjatjara (people). Ultukunpa grows in the sandy soils on the plains. The flowers can be picked and placed in a billycan of water to create ‘honeywater’ (cordial) or they can be sucked for their sweet honey dew.
Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.
Artists use this title when they are depicting their Country. It might be a representation of a particular place or of different aspects of that area. The artist uses a combination of colour and design to indicate variations in the landscape. Inspiration is drawn from all elements of Country and might include bush tucker, water holes, meeting places, rock formation, birds or animals.
There is a story of deep significance to women which contains metaphorical references to female cycles. It tells of two women travelling north. The pair meet with a group of women, including Kutungu, who are caring for a man who then passes away. They then travel to the area known as Mantaruta, near Uluru, where they chase a curious wanampi (serpent) deep into the ground while trying to catch him. They burn their body hair to attract him and hit him on the head and run away. From afar they throw a manguri/traditional head-ring for carrying which also hits him. He then comes and hits the women who travel on bleeding and hurt.