December 2025

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Make it Real Magnet by Ruby Djikarra Alderton

Waterlillies

This image is inspired by my mother’s country and my birth place Yirrkala, North-East Arnhem Land NT. This story in particular depicts the billabongs and waterways across our beautiful country.  

This is not a “traditional story” as such however fresh & salt waters, the currents, the tides, all the creatures, plants and even the direction of the winds themselves, all have their place within the song lines of our people. Across Arnhem Land each clan or family group have their own versions and their own specific designs or minytji, that represents that particular clans traditional lands and waters, both fresh and salt. Across Arnhem traditionally we used cross hatching or line work ( rarrk ). This fine line work is created by using handmade brushes ( marwat – which translate to hair ). Mine is one I’ve made from my son’s, Rhys Dhalukmurru’s hair. Some of my artworks may have the rarrk element within them, they are not always a particular story but the rarrk itself is essentially Yolngu. As a Yolngu woman that is who I am. I also choose to only paint my mother’s clan minytji, Rirratjingu minytji because that is what is within my rights as a Yolngu women. Stepping outside of those boundaries is simply not aloud. 

My family have painted, danced, sung, co-exsisted with and protected these same waters and lands for many, many generations. From the beginning we are taught to continue and honour this.   

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Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

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Make it Real Tea Towel by Ruby Djikarra Alderton

Rowu (Morning Glory)

This image depicts a costal plant that grows on my mother’s country and my birthplace Yirrkala, North-East Arnhem Land NT. 

This is not a traditional story as such. Although the waters, the currents, the tides, the land itself and the plants all have their place in our songlines. 

Rowu (Morning Glory) is one of my favourite flowers. My mother told me that each little flower represents a child born on Yolngu country. When I had my daughter, one of her nephews said she reminded him of a little pink Balwa (flower) and it’s been her nickname ever since. This artwork is dedicated to all Yolngu children. 

Across Arnhem Land each clan or family group have their own versions and their own specific designs that represents their traditional lands and waters, both fresh and salt waters. Across Arnhem traditionally we used cross hatching or line work (Rarrk). This fine line work is created by using handmade brushes (marwat). Mine is one I’ve made from my son’s hair. Some of my artworks may have the Rarrk element within them, they are not always a particular story but the Rarrk itself is essentially Yolngu. As a Yolngu woman this is who I am.

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Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

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Make it Real Scrunchie Set by Ruby Djikarra Alderton

Rulyapa

This image depicts the salt waters of my mother’s country and my birth place Yirrkala, North-East Arnhem Land NT. This story in particular depicts the water channel in between the mainland of Yirrkala and the island of Dhambaliya ( Bremer Island ). This channel of water is called Rawu.  

The waters, the currents, the tides, the Miyapunu (turtles), guya (fish) and the Yathiny (jellyfish), all the creatures and elements, including the sea foam, all have their place within the song lines of our people. Across Arnhem Land each clan or family group have their own versions and their own specific designs or minytji, that represents that particular clans traditional lands and waters, both fresh and salt. Across Arnhem traditionally we used cross hatching or line work ( rarrk ). This fine line work is created by using handmade brushes ( marwat – which translate to hair ). Mine is one I’ve made from my son’s, Rhys Dhalukmurru’s hair. Some of my artworks may have the rarrk element within them, they are not always a particular story but the rarrk itself is essentially Yolngu. As a Yolngu woman that is who I am. I also choose to only paint my mother’s clan minytji, Rirratjingu minytji because that is what is within my rights as a Yolngu women. Stepping outside of those boundaries is simply not aloud. 

My family have painted, danced, sung, co-exsisted with and protected these same waters and lands for many, many generations. From the begging we are taught to continue and honour this.  

Yathiny

This image depicts the salt waters of my mother’s country and my birth place Yirrkala, North-East Arnhem Land NT. This story in particular depicts the water channel in between the mainland of Yirrkala and the island of Dhambaliya ( Bremer Island ). This channel of water is called Rawu. The Yathiny ( porpita porpita ), they are floating along the water’s surface. 

This is not a “traditional story” as such but Yathiny is also Mum’s youngest sister’s other Yolngu name (Kathy Balngayngu Marika). Although the waters, the currents, the tides, the Miyapunu (turtles), guya (fish) and the Yathiny (Porpita Porpita), all the creatures, all have their place within the song lines of our people. Across Arnhem Land each clan or family group have their own versions and their own specific designs or minytji, that represents that particular clans traditional lands and waters, both fresh and salt. Across Arnhem traditionally we used cross hatching or line work ( rarrk ). This fine line work is created by using handmade brushes ( marwat – which translate to hair ). Mine is one I’ve made from my son’s. Some of my artworks may have the rarrk element within them, they are not always a particular story but the rarrk itself is essentially Yolngu. As a Yolngu woman this is who I am. Whenever there is minytji present within my artwork, I choose to only paint my mother’s clan minytji, Rirratjingu minytji because that is what is within my rights as a Yolngu woman to do. Stepping outside of those boundaries is simply not aloud. 

My family have painted, danced, sung, co-exsisted with and protected these same waters and lands for many, many generations & for many more to come. From the beginning we are taught to remember, to continue and to honour this.  

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Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

————————————————————————-

 

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Status: Stock

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Make it Real Bag Charm by Ruby Djikarra Alderton

Rowu (Morning Glory)

This image depicts a costal plant that grows on my mother’s country and my birthplace Yirrkala, North-East Arnhem Land NT. 

This is not a traditional story as such. Although the waters, the currents, the tides, the land itself and the plants all have their place in our songlines. 

Rowu (Morning Glory) is one of my favourite flowers. My mother told me that each little flower represents a child born on Yolngu country. When I had my daughter, one of her nephews said she reminded him of a little pink Balwa (flower) and it’s been her nickname ever since. This artwork is dedicated to all Yolngu children. 

Across Arnhem Land each clan or family group have their own versions and their own specific designs that represents their traditional lands and waters, both fresh and salt waters. Across Arnhem traditionally we used cross hatching or line work (Rarrk). This fine line work is created by using handmade brushes (marwat). Mine is one I’ve made from my son’s hair. Some of my artworks may have the Rarrk element within them, they are not always a particular story but the Rarrk itself is essentially Yolngu. As a Yolngu woman this is who I am.

 

————————————————————————-

Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

————————————————————————-

 

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Make it Real Magnet by Rekeshia Goodwin

New Life

Hi, it’s Rekeshia here! I’d like to share a bit about myself. Throughout my life, I’ve been fortunate to have many teachers, from my grandfathers and grandmothers to simply trying new things. I’ve spent time with my family, watching them engage with their art. 

My grandfather taught me how to sketch landscapes, while my grandmother showed me how to work with floral designs and abstracts. I’ve learned so much from them and many others. When I sit down to start a new piece, I light a candle and burn some incense. I put on my headphones and play some music. On days when I struggle to find my creative groove, I take a few deep breaths. I examine the materials I have available, such as canvas, paper, or linen. 

Then, I consider the mediums in front of me—like acrylic paint, pencils, or charcoal. Sometimes, when I close my eyes, I get a flash or glimpse of what the beginning or final image might look like. Depending on how I feel, I might play around with the chosen materials. If I’m confident, I’ll dive right in. Most of my work ends up having several layers by the time it is finished. 

A lot of my paintings are inspired by my experiences, the stories I’ve lived, my feelings, or the people in my life. Each piece reflects who I am as an artist and as a person. I take pride in my creations because they carry significant meaning for me. Once I finish a piece, I like to view it in different lighting and from various distances, as well as see how it looks through a camera. If you could do one thing for me, I would greatly appreciate it: please take the artwork and place it on the wall or floor. Then, take a seat or step back a couple of paces. Take a few deep breaths, close your eyes for a moment, and then open them to look at the work. Allow yourself to get lost in the colours, patterns, and emotions that arise as you observe the artwork in front of you. 

I am truly grateful for you owning one of my artworks in your home. Thank you from the bottom of my heart for purchasing one of my pieces and for supporting me on this lovely and unpredictable journey. 

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Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

————————————————————————-

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Status: Stock

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Make it Real Tea Towel by Rekeshia Goodwin

Ocean Currents

Hi, it’s Rekeshia here! I’d like to share a bit about myself. Throughout my life, I’ve been fortunate to have many teachers, from my grandfathers and grandmothers to simply trying new things. I’ve spent time with my family, watching them engage with their art. 

My grandfather taught me how to sketch landscapes, while my grandmother showed me how to work with floral designs and abstracts. I’ve learned so much from them and many others. When I sit down to start a new piece, I light a candle and burn some incense. I put on my headphones and play some music. On days when I struggle to find my creative groove, I take a few deep breaths. I examine the materials I have available, such as canvas, paper, or linen. 

Then, I consider the mediums in front of me—like acrylic paint, pencils, or charcoal. Sometimes, when I close my eyes, I get a flash or glimpse of what the beginning or final image might look like. Depending on how I feel, I might play around with the chosen materials. If I’m confident, I’ll dive right in. Most of my work ends up having several layers by the time it is finished. 

A lot of my paintings are inspired by my experiences, the stories I’ve lived, my feelings, or the people in my life. Each piece reflects who I am as an artist and as a person. I take pride in my creations because they carry significant meaning for me. Once I finish a piece, I like to view it in different lighting and from various distances, as well as see how it looks through a camera. If you could do one thing for me, I would greatly appreciate it: please take the artwork and place it on the wall or floor. Then, take a seat or step back a couple of paces. Take a few deep breaths, close your eyes for a moment, and then open them to look at the work. Allow yourself to get lost in the colours, patterns, and emotions that arise as you observe the artwork in front of you. 

I am truly grateful for you owning one of my artworks in your home. Thank you from the bottom of my heart for purchasing one of my pieces and for supporting me on this lovely and unpredictable journey. 

————————————————————————-

Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

————————————————————————-

 

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Status: Stock

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Make it Real Scrunchie Set by Rekeshia Goodwin

World of Bioluminescence

Healing

Hi, it’s Rekeshia here! I’d like to share a bit about myself. Throughout my life, I’ve been fortunate to have many teachers, from my grandfathers and grandmothers to simply trying new things. I’ve spent time with my family, watching them engage with their art. 

My grandfather taught me how to sketch landscapes, while my grandmother showed me how to work with floral designs and abstracts. I’ve learned so much from them and many others. When I sit down to start a new piece, I light a candle and burn some incense. I put on my headphones and play some music. On days when I struggle to find my creative groove, I take a few deep breaths. I examine the materials I have available, such as canvas, paper, or linen. 

Then, I consider the mediums in front of me—like acrylic paint, pencils, or charcoal. Sometimes, when I close my eyes, I get a flash or glimpse of what the beginning or final image might look like. Depending on how I feel, I might play around with the chosen materials. If I’m confident, I’ll dive right in. Most of my work ends up having several layers by the time it is finished. 

A lot of my paintings are inspired by my experiences, the stories I’ve lived, my feelings, or the people in my life. Each piece reflects who I am as an artist and as a person. I take pride in my creations because they carry significant meaning for me. Once I finish a piece, I like to view it in different lighting and from various distances, as well as see how it looks through a camera. If you could do one thing for me, I would greatly appreciate it: please take the artwork and place it on the wall or floor. Then, take a seat or step back a couple of paces. Take a few deep breaths, close your eyes for a moment, and then open them to look at the work. Allow yourself to get lost in the colours, patterns, and emotions that arise as you observe the artwork in front of you. 

I am truly grateful for you owning one of my artworks in your home. Thank you from the bottom of my heart for purchasing one of my pieces and for supporting me on this lovely and unpredictable journey. 

————————————————————————-

Make it Real

Make it Real is a project delivered through the Aboriginal Art Centre Hub of Western Australia (AACHWA). As a not-for-profit Aboriginal organisation, our profit story ensures the artist receives the economic benefits of their shared generational stories and culture. When an artist thrives, their community also benefits.

The profits generated from this product give 90% back to the artist and 10% back to their art centre. 

*The way profits are distributed can vary, and we ask consumers to be mindful of this when buying Authentic Indigenous Art or products.

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