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Rita Pitjara Beasley – My Father’s Country

“This is my Father’s country.

This place is our hunting place. I always go with my daughters and their children, I show them this place and teach them about the swampy country. We hunt for goannas, bush potato, bush tomato and after the big rain the bush medicine is picked and the roots are dug up to be used.

It is important as my mother taught me this and now I teach my family.”

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Alec Pula Lewis – View of Country

Alec was born at McDonald Downs Station. He grew up there with his family living traditionally on the land.  Alec did not attend school, he moved between different communities with his family. 

Knowing your country is an important part of living in a remote community like Ampilatwatja. Knowing when and where to go hunting and gathering, knowing where there is ‘soakage’ (where you can dig for water), travelling with family for ceremonies, and maintaining a connection with the land.

“This is my country, my view of country.”

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Gunderson Kemarre Lewis – Great Grandmothers Country

I paint my Great Grandmothers country around Canteen Creek. Long time ago she hunted around this soakage in this country. When I paint, I paint that country, the soakage the bushflowers the sandhills and the distant mountains.

I hunt this country now.

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Elizabeth Ngwarraye Bonney – My Homeland Tijamburra

My homeland is Tijamburra, Canteen Creek, I love that country, it is my Grandmother’s country and it is the only country that I paint. It is fresh country after the rain and it is always plentiful with bush tucker and bush medicine. There are many soakages (places to find water) and we have names for all of them. You can sit there in the shade of the big trees and I love to camp there, the little children in my family never want to leave and want to swim all day in the cool big swamps

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Andonica Kemarre Teece – Bush Flowers

These bush flowers grow seasonly in Alyawarr country, some of which are also used in bush medicine remedies.

When I go out hunting, I like to see all the bush flowers that are flowering and then when I come back, I paint them.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Diane Kemarre Ross – My Country

This is my country, it’s the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is always good hunting on my country. It is good for me to paint my country and it makes me feel good.

The artists of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

 

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Woven flower


Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Lilly Kemarre Morton – Antarrengeny, My Country

Lilly has painted her country, Antarrengeny. The brightly coloured flowers and small bushes are bush medicine and are still used within the community.

Lilly’s landscapes beautifully communicate the rich knowledge she possesses of both medicinal plants and country, the heart of her culture.

As a young girl, Lilly lived traditionally off of the land with her family and Alyawarr people. In Lilly’s lifetime, she has experienced and borne witness to the irreversible changes of country and way of life, that were previously unchanged for thousands of years.

She is a kind and gentle elder of the community and often tells stories of how life used to be, in Alywarre, her language, to her family and friends. These stories are also a great inspiration for many of the artists within the community.

Lilly is passionate about nature, especially her country and the plants that grow on it, she speaks in launguage and is keen to explain the various bush medicines which she depicts in her paintings.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.

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Woven bracelet


Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.

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Woven bracelet


Pandanus fibre art is labour intensive requiring a high level of care and fine needlework. Finished works are both functional and beautiful. Women collect pandanus by pulling from the top of a pandanus tree, stripping then dying the leaves using natural bush colour.