March 2026

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Alice Guiness – Burndud Ground

Alice Guinness is a Yindjibarndi woman who was born at Goodabinyia. Alice has been painting for many years at art centres across Roebourne. Her work features the Burndud/ Bundut Circle, an important story in Yindjibarndi culture which relates to Birdirra Law. Alice paints the Burndud in different styles and recently has been experimenting with painting the Burndud on paper. 

Banyiji (Pansy) Cheedy on her cousin, Alice:

“Alice started painting before me. She paints the Burndud circle. It’s a dance in our traditions. She does that a lot, in a lot of different styles and colours… The Burndud circle is a story for our law dance. Birdirra Law. It’s a unique law and it’s the only one and it belongs to the Yindjibarndi people. So she does that Burndud circle with that in mind

Banyji (Pansy) Cheedy, 2021. 

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Jean Norman – My Ngurra

Jean is a Yindjibarndi Elder who paints with Juluwarlu. Jean often paints native flowers on her Ngurra (Country). After the rain I love to go out on Ngurra (Country) and see all the beautiful native flowers blooming across the land.

I don’t see as many animals anymore that’s why they are not in my paintings. Because I paint what I see. Especially when you go out bush you don’t see anything, when we were little kids we would see plenty.

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Wendy Hubert – Ant Hills

About the Artist:
Wendy Hubert is a respected Yindjibarndi Elder, Cultural Custodian and Linguist who has lived passionately and supported her Roebourne and Yindjibarndi community for more than 40 years.  As Wendy paints, she inspires our young people with her memories and stories of Yindjibarndi culture and the YIndjibarndi cultural heroes she has worked with during her lifetime of commitment. Wendy’s artworks celebrate our 60,000 year old Yindjibarndi culture and our continuing management and care for our West Pilbara tableland country. 
“I know my Ngurra. I know its Laws. I am an Yindjibarndi Custodian, old now, but strong in my thinking and my life. So I have painted here, my country after fire. The rain will come. When it comes everything will grow again. It has done this since the beginning of time and will go on doing this forever.

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Papulankutja Artists

This painting is of a popular tjukurrpa story of seven sisters being chased through the desert by one cheeky, lusty man, Wati Nyiru. Many things happen to these women as they travel through country. Eventually they rise up into the sky and form the Peliades, a group of seven stars seen in the southern skies. This painting takes place at Kurualya, a sacred place for women in Anmanari’s country south of Papulankutja Blackstone. Wati Nyiru was following them, disguising himself as a quandong tree, and then a yirli fig, and then a carpet snake, spying on them as they made camp, building wiltjas and wind breaks and digging for food.

 

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Papulankutja Artists

Our Chris bag is practical, easy to use and strong. It’s a versatile unisex messenger bag with external pockets (in feature fabric) 

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Murujuga Rock Art

‘This is the rock art in my country left by my ancestors.’ Rodney often paints from memory, capturing local scenes before they are destroyed by mining and infrastructure development. Murujuga National Park and the islands of the Dampier Archipelago showcase what is thought to be the highest concentration of rock engravings of any known site in the world. 

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Kings Pit

King’s pit is in Soloman Mine in Yindjibarndi Country. This painting here is the process of rehabilitating after all the iron ore has been mined. On the top right you can see the stockpiles of dirt they are bringing back to the deep areas so they can try and put the pit back to the way it was when they came. That background hill with the little line on the right top corner is the communication tower and from that hill you can see Wittenoom.

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