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Warraburnburn

In Burarra and Gun-nartpa languages the figure represented in this artwork is generally known as a wangarra ‘ghost spirit’. For the Warrawarra clan ghost spirits have their own particular characteristics and their own name – Warraburnburn.

The Warraburnburn and the closely related Galabarrbarr spirit (owned by the Balkarranga clan) are also manikay song topics.  The spirits are related to each other as maternal grandparent and grandchild, just as the people of Warrawarra and Balkarranga are. The dancing of the two ghost spirit figures forms the finale performance for funerals, and is the final goodbye to a deceased family member.

In many ways the Warraburnburn and Galabarrbarr ghost spirits are like people. They emerge from the patches of jungle on Warrawarra and Balkarranga country in the late afternoon and go hunting in family groups of men, women and children. They stay in contact with each other by calling out as the men hunt for fish and the women walk with their dillybags looking for vegetable food. 

The ghost spirits are associated closely with white ochre and artists commonly paint the bodies of carved figures in white. Different types of ghost spirit wear different patterns. Warraburnburn is decorated with uniform white dots while others are painted white all over. Some ghost spirits are shown with a design painted on their chest infilled with rarrk ‘cross-hatching’, the same designs that are painted onto japi an-guyinda ‘male initiations’. 

They also have supernatural characteristics including superhuman size (jarra anbaykarda ‘super tall’). They know the country intimately – some are malevolent towards humans and will lead people astray, taking them to unfamiliar and dangerous places. These malevolent spirits are likened to an-muburda ‘sorcerers’ and can conduct dangerous rituals that cause harm to people. Others are benign and will lead humans back to familiar paths and their own camps.

 

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Nancy Pitjara Frank – Artna Areyawarr Kwen Apwert (Bush Medicine Under Rocks)

When I go looking for bush medicine I look around the ground and under the rocks. That is where I will find it

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Rita Pitjara Beasley – Akwetyeyel Artna Areyawarr (Collecting Bush Medicine)

This is my country where I go hunting to collect plants to make bush medicine for my family.

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Sabrina Pitjara Morton

I love to look at the land and bush leaves. My mother paints, her name is Lucy Pula Luck and my Aunties Beverly Pula Luck, Jessie Pula Luck and Juliet Ngwarraye Morton all paint, they are great painters and I want to paint with them and learn. Bush medicine leaves are my favorite to look at. White flowers, leaves and bush tucker – this is what I want to show in my paintings.

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Sabrina Pitjara Morton

I love to look at the land and bush leaves. My mother paints, her name is Lucy Pula Luck and my Aunties Beverly Pula Luck, Jessie Pula Luck and Juliet Ngwarraye Morton all paint, they are great painters and I want to paint with them and learn. Bush medicine leaves are my favorite to look at. White flowers, leaves and bush tucker – this is what I want to show in my paintings.

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Status: Stock


Art Centre Toyotas

Richie Wilson paints the world around him. In this painting Richie has depicted the three art center Toyota’s in front of the Kimberley landscape. 

 

 

Dimensions: 45 x 45cm / Natural ochre and pigment on canvas

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Puntawarri Country

“This is Puntawarri country. That Nyiyaparli creek, Kupayiyura (Savory Creek), coming into putijarra country. Kupayiyura goes to kumpupirntily (Lake Disappointment). All the jurnu (soakwaters0 are along the side of the creek: how many… 1,2,3,4,5,6,7,8,9,10,11,12,13,14,15,16,17,18,191,20,21,22,23,24,25,26,27,28,29,30! Big mob. Ngayurnangalku (cannibal beings) travelled through this country going to Kumpupirntily. They got weapons- tjara (sheild), yirlilli (boomerang), kara (spear) and jurna (club) – they leave them on ground where they camp. They make that country . That country got everything-pangarra (goanna), karlaya (emu), dog,kangaroo all there. And Ngayurnanglaku… they’re there too.”

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Barlangu (Shark)

SHARK STORY;

This shark jumped from Mirrngatja to Malyangarnak and the Saratoga jumped from Mahjangarnak to Mirrngatja. When the shark came to Malyangarnak and the Saratoga went to Mirrngatja those two places swapped names, Malyangarnak was given the name Malyangarnak, we were told these stories by the two Traditional Owners of Malyangarnak who have now deceased but we still remember their stories.

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Rosie Kemarre Morton – Atyenh Aknyey Amper (My Father’s Country) and Bush Medicine

Rosie has painted her Father’s country, where she can always find bush tucker and bush medicine. She is very happy when out bush hunting and gathering, as it brings back memories of her childhood when she used to live traditionally off of the land with her family.


Rosie uses these hunting trips as her inspiration for her artworks, each one reflecting the layered landscape and various colours as she has seen them. They are always changing, with the light of day and the seasons of the year.


Rosie enjoys and understands the importance of painting bush medicine plants. They help in the healing of her people and it keeps the tradition and knowledge strong. These particular plants are very plentiful after rain and can be used for numerous conditions, such as skin irritations, flu, coughs and infections.


Rosie’s dreaming is the Araluta or kangaroo plant. This bush is a rich source of food for the kangaroos and keeps them fat and healthy and good for hunting.

The community of Ampilatwatja made a conscious decision not to paint altyerr (dreaming stories). The artists paint their country where those stories sit.



Dimensions: 56 x 76 cm Acrylic on 300GSM S/H Paper

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Denise Ngwarraye Bonney – Tijamburra, My Grandmothers Country

This is my Mothers Mothers country, out near Canteen Creek, we go hunting for wild onions, goannas, echidnas and sugar bag honey in the trees. I like to hunt in my country, there is water all year round even if it looks dry, we follow the bird tracks to know where to dig and then we find water.


This painting is after rain, many grasses are out, but the riverbed is still sandy.




Dimensions: 56 x 76 cm Acrylic on 300GSM S/H Paper