22024008546

Published by CompNet Systems on

Status: Stock

Yalka at Karrkurutinytja by Daphne Marks, in Cream and Pinks on Maroon, Cotton.

This beautiful fabric features Daphne Marks’ ‘Yalka at Karrkurutinytja’ design. Daphne was passed down the right to paint the Yalka Tjukurrpa at Karrkurutinytja (Bush onion dreaming at Lake Macdonald) from her grandmother, Narputta Nangala Jugadai. Narputta, who was a founding member of Ikuntji art centre and a prolific painter, was born close to this sight.

Daphne says,

 “My grandmother, Narputta used to make that painting. She told me that story. I used to work here (Ikuntji Women’s Centre) as a cook. I came to learn here. I saw my grandma painting. I learnt from her. She told me that story…Yalka…Bush food…For a long time those old ladies have been looking for Yalka, digging for Yalka, taking the fruit, cooking it in the fire. We cook them just a little bit, like Maku (witchetty grub). I have been looking for that Yalka with my grandmother.”

Yalka Tjukurrpa, as told by Narputta,

“Creek bed at Karrkurutinytja. Two old women, two Nungurrayi, came across from Pulpa and started Gathering bush  onions, putting them into coolamons. They went on a journey west. They approached a group of men and watched them, whilst hiding in the bushed at Pimarrpa (Soakage near Kiwirrkura). There was another lady, Alkiljarra Nakamarra, who came along on their tracks. She saw them where they had gathered bush onions. She became upset that they’d gathered them all up and there were none left. The Nakamarra started walking and came across the creek, where she started collecing mungilpa (a staple seed food for the Pintupi people).  She came across two Tjangalas (Mungilnga and Tiwilgna). Next to them was a rockhole and Atjakalya Nakamarra, who was making damper for them. Mungilnga had the smaller damper. The two Tjangalas ate their damper then she flew off and became a rock there at Kurultu.”

This fabric has been screen printed by hand by Published Textiles and Papers, ensuring the highest quality and longevity.

About the printers:

Publisher Textiles & Papers is one of Australia’s leading print houses. Focused on producing original patterns through traditional hand-screen printing methods we create bold and colourful textiles, hand printed wallpaper, clothing and fabric.

Fabric details:

This fabric is by continuous metreage going up in 50cm increments, priced at $110 per metre.

For 1m, please add 2 x 50cm to your cart and it will be cut as a continuous length ($110 for 1m).

For 2m, please add 4 x 50cm to your cart and it will be cut as a continuous length ($220 for 2m).

For 3m, please add 6 x 50cm to your cart and it will be cut as a continuous length ($330 for 3m).

Fabric Care Instructions:

Hand wash, line dry, do not bleach, wash separately, warm iron, do not soak, dry cleanable (P). The ink has been heat set for longevity, however please take care when washing (wash garments inside out if possible).

Categories: Ikuntji Artists

Name: Daphne Marks

Language: Luritja

Community: Haasts Bluff

Biography:

Daphne was born in 1979 at Alice Springs hospital. Daphne’s mother was Jillian Jugadai Napapltjarri and her father was Loue Marks Tjakamarra. They lived together at Haasts bluff when Daphne was young. Daphne has four siblings, Willy (different father), Benisa, Dennis and Frankie. Daphne is the oldest of her siblings.
Daphne started school in Haasts Bluff, where she was taught in both English and Luritja. When she was nine years old, the family moved to Kintore for some years, so that her father could be with his family who are from there. After that they moved back to Haasts Bluff and lived together with her mother’s family.  When Daphne was  about 12 years old, her Mother and Father passed away. Daphne was then raised by her grandmother, Narputta Nangala Jugadai, Ikuntji's most senior and internationally recognized painter. Daphne finished primary school in Haasts Bluff and went on to Yirara college in Alice Springs. At Yirara College they learnt only in English.

After college she moved back to Haasts Bluff where she started working at Ikuntji Women’s Centre as a cook when it first opened in 1992. Her grandmother, who had been painting with her husband, Timmy Jugadai since the 1970’s was a founding member of the women’s centre. Narputta’s brothers, Riley Major and George Tjangala, were both part of the desert painting movement in Papunya in the 1970’s.

Daphne says she used to come early in the morning to the women’s centre and prepare breakfast and lunch for all of the old ladies and men who were painting. During which time Daphne learn stories and painting from her grandmother. Narrputa told her that when she is older “you should start making that painting, that dreaming.”

When Daphne was 19 or 20 years old, she was introduced to her husband to be, Francis Marshall Tjapanangka. Francis is from the Haast Bluff area, and grew up travelling around with his father, who was a stockman. His father is Stanley Marshall Tjapangardi and his mother is Jeannie Wareenie Ross Nampitjinpa. With their family’s permission, Francis and Daphne were married and have been together ever since. They worked together at the art centre in their early twenties, watching the old people paint and learning stories.

Daphne then worked at the childcare centre in Haasts Bluff, back when it was in one of the small houses. She remembers when they opened the new centre, the old ladies, Eunice Napanangka Jack, Anmanari Nolan and Narputta Jugadai were dancing. After Daphne was married she was looking for work and decided to study to be a teacher. At 22 years old she studies for 2 years at Batchelor Institute in Alice Springs. She has been working at the Haasts Bluff school since she was 24 years old. She is a teacher for the prep class, where she teaches in two-way language (English and Pintupi Luritja). She enjoys teaching two-ways and says each morning she sings with the children in 2-way language. Daphne’s younger sister, Benisa, is also a teacher at the school. Daphne and Francis have three children and one granddaughter.

In her spare time, Daphne paints whenever she can, a well as hunting and cooking Goanna's, shopping and looking after her sons. Her family is very important to her and she spends a lot of time looking after the welfare of her extended family. Daphne has an eye for detail and paints meticulous translations of the Yalka Tjukurrpa (bush onion dreaming). Her work becomes particularly vibrant after the rains when the newly emerged plants dominate her paintings.

Daphne was passed down the right to paint the Yalka Tjukurrpa at Karrkurutinytja (Bush onion dreaming at Lake Macdonald) from her grandmother Narputta. Narputta was born close to this sight, she also painted this story. Daphne has been involved with Ikuntji Artists since it was first opened in 1992 and has been painting for several years now  When she started she was one of the youngest artists to work at Ikuntji Art Centre.

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