220982359466

Published by CompNet Systems on

Colleen Ngwarraye Morton – Hunting

Colleen is one of the original artists in the Utopian batik movement in the 1980’s and has been successfully painting ever since.

Colleen’s paintings often depict her Grandfather’s country where her family have hunted for many years. As a child she was taught about the seasonal bush medicines and plants that grew there and how to gather them. “When I was a little girl I would go and collect the seed from the altywart grass with my grandmothers. They would teach us how to hang on to the tree and grind the seeds with our feet. We would carry the seed in our coolamon back to the camp, then make damper, cook it on the fire and eat with our families”.

The elders would teach the importance of looking after country and that the sacred ancestral spirits watch over and protect the animals and plants. Her Mother and Grandmother taught her about bush medicine, a topic that is especially important to Colleen and is expressed within her paintings.

The layers of Colleen’s paintings are as detailed and complex as the stories she paints. Her paintings help to keep her culture strong and keep the stories alive to be shared and used to educate current and future generations. 

 

Categories: Artists of Ampilatwatja

Name: Colleen Ngwarraye Morton

Language: Alyawarr

Community: Ampilatwatja

Biography:

Colleen's work pays homage to the significance and use of traditional bush medicine, allowing an insight into her community. Yet underneath the iridescent surface, there is an underlying sense that there is more to this landscape than meets the eye. In keeping with the religious laws, Colleen reveals only a small amount of knowledge to the uninitiated. The esoteric information that is held sacred to her and her people is concealed from the public and layered underneath the common visual narrative, masked by the delicate layered dots of the painting. The many levels of interpretation permit artists to present their art to an often culturally untutored public without compromising its religious nature. Artists talk of two broad levels of interpretation, the "inside" stories which are restricted to those of the appropriate ritual standing, and the "outside" stories which are open to all.

Colleen's paintings often depict her Grandfather's country where her family have hunted for many years. As a child she was taught about the seasonal bush medicines and plants that grew there and how to gather them. The elders would teach the importance of looking after country and that the sacred ancestral spirits watch over and protect the animals and plants. Her Mother and Grandmother taught her about bush medicine, a topic that is especially important to Colleen and is expressed within her paintings. The layers of Colleen's paintings are as detailed and complex as the stories she paints. Her paintings help to keep her culture strong and keep the stories alive to be shared and used to educate current and future generations. 

Colleen is one of the original artists in the Utopian batik movement in the 1980’s and has been successfully painting ever since.

Related Posts

Artists of Ampilatwatja

220982359471

Diane Kemarre Ross – My Country This is my country, it’s the country around Irrultja. This is where we like to go after big rain. After big rain there, we can go swimming. There is Read more…

Artists of Ampilatwatja

220982359470

Heather Pitjara Corbett – Bush Medicine Country I paint landscapes because it connects me to my country by the waters, hills, trees and skies, the seasoning of this country. My work comes from my heart, Read more…

Artists of Ampilatwatja

220982359469

Valerie Kemarre Ross – My Mothers Country My mothers country is flowers, trees and mountains. I love to paint them. We see springs, the water from the springs is like rainwater, fresh and clean. We Read more…

© the artist / art centre