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Wak and Wayuk

The ‘rarrk’, or abstract crosshatching, on this work represents the design for the crow totem ancestor called Djimarr. Today this being exists in the form of a rock, which is permanently submerged at the bottom of Kurrurldul Creek. The Djimarr rock in the stream at Kurrurldul is said to move around and call out in a soft hooting tone at night. Both the stone itself and the area around it are considered sacred.

The imagery represents the Djimarr rock at the bottom of Kurrurldul creek – the final transmutation of the Djimarr ancestor being. It also references the crow design used in the sacred Mardayin ceremony, a large regional patrimoiety ceremony now rarely conducted in central and eastern Arnhem Land.

Categories: Babbarra Women’s Centre

Name: Janet Marawarr

Language: Kune, Kuninjku

Community: Maningrida

Biography:

Janet Marawarr is a senior Kuninjku artist at Babbarra Designs working with lino printing and she is renowned for her screen print designs.  Marawarr regards textile design as an opportunity to work with colour and new methods to express her djang (ancestral creation stories). In 2019 she travelled to Paris to launch the touring exhibition, Jarracharra ( Dry Season Wind) of which her work featured.

As well as her textile designs with Bábbarra Women’s Centre, Marawarr is an established bark painter with Maningrida Arts & Crafts and she works for the Maningrida Night Patrol, a community safety service.

‘I like lino, print my design and doing different way to print my lino, different colours and different way. I print lino Yawkyawk (spirit woman) and Ngaldjorlhbo (mother of Everything). This was an old lady and she create that language and the world before. I also print also Rolk (maggot), my mother design cause I’m the Djunkay (land manager) for her.’  Janet Marawarr 2020

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