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Eiffel tower and the Maladj spirit

“I want to tell you about my design, that Eiffel tower one.

This year it was my first time going to Paris. I didn’t know that place, nothing. We travelled around the world to get there, we flew underneath the world in an aeroplane.

Paris was a big, crowded city. They speak a different language there, just like here in Maningrida with all our different languages.

The Bábbarra artists and Ingrid, we were all walking around, like tourists. We went on the boat in the Paris river. There was a film crew taking videos of us. We saw so many beautiful buildings covered with black string (iron balconies) and big statues. We’d never seen things like that before.

I remember when we got off that boat and I looked up and saw that tower. When I first looked up at that tower, it made me happy- it’s so long up into the sky. We walked towards it. I was standing there watching that tower and thinking, ‘wow, first time for me seeing a tower like that’.

Then I was thinking, and I said to myself, when I go back to my own country, I’m going to paint that tower.

We came to Maningrida, I started to draw. I drew that tower from France, but also I drew maladj (stone country orphan spirit), women’s sacred woven mat, fish traps and rolk (insects). I also put round kunngol (clouds) in the design, those circles. That maladj spirit, it’s standing there next to the Eiffel tower, looking at the dancing lights at night. The tower is from Paris, but everything else in my design I took from my mother’s country and my father’s country.

Maybe one day I’ll travel back to France, and take my design with me to show them, all the French mob.” Janet Marawarr

Name: Deborah Wurrkidj


Language: Kuninjku



Biography:

Deborah Wurrkidj is a highly regarded, versatile artist who has readily adapted to new art forms while retaining her strong clan traditions. She has been working with Bábbarra Designs since 1991, alongside her mother, Helen Lanyinwanga, and sister Jennifer Wurrkidj. She is a leading textile artist and an integral member of Bábbarra Women’s Centre.

Deborah’s work is vibrant, tactile and intricate, evocative of the local natural environment as well as referencing her deep cultural knowledge. Her extensive body of textile art is illustrative of the artistic innovation that has occurred in Maningrida in recent times and that is apparent in her work in other mediums also.

Deborah is world renowned for her bark painting, lorrkkon (hollow logs), and fibre baskets. She has exhibited widely since 2001, throughout Australia as well as in Europe and the United States. She is represented in most of Australia’s state gallery collections.


© the artist / art centre