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Mandjabu (Fish Trap)

Kuninjku people traditionally make two sorts of conical fish traps. One is called mandjabu and is made from a strong, durable vine called milil, and a smaller one is called manylik mandjabu, and made from the grass manylik. The mandjabuconical fish trap is bigger and stronger and used in tidal reaches of creeks to catch large fish. The smaller, lighter manyliktrap is used in freshwater flowing creeks to catch smaller fish and freshwater prawns. In earlier times, only men were involved in the construction of the large fish traps, but children would often crawl inside and assist.

To make mandjabu, weavers firstly harvest milil (burney vine, Malaisia scandens) and put it in water overnight to make it soft. Then they start weaving it; they make rings for the inside to keep the fish trap’s shape. People also make string from the bark of burdaga (kurrajong) to attach the bardainy (hibiscus) rings and to tie the conical end of the fish trap. It’s hard work and it can take three or four weeks to make a fish trap. People also use fish-net fences called kunkarlewabe. They would put the kunkarlewabe  across rivers and creeks. In the middle they would place the mandjabu. They also used small things like sticks, rocks, mud and grass to block the fish from going through. This way we would catch fish such as saltwater barramundi rajarra, ngaldadmurrng (freshwater barramundi), small black freshwater catfish (buliya), bonefish (an-guwirrpiya), and sand bass (dalakan) in the mandjabu.

Name: Janet Marawarr


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Janet Kalidjan Marawarr is a senior Kuninjku artist who has been creating textile based artwork at Babbarra Women’ s Centre for almost 40 years.  Also a talented bark painter, Janet regards the making of artwork as an opportunity to work with colour and explore new media to express her djang (ancestral creation stories). Janet’s practice has taken her to Paris, LA, New Zealand and recently to India.

In 2019 Janet travelled to Paris to launch the touring exhibition, Jarracharra (Dry Season Wind) of which her work featured. In 2022 she travelled to LA where her work was exhibited with Aboriginal Screen-Printed Textiles from Australia’s Top End at Fowler Museum, UCLA. In January 2023 Marawarr was invited by the Australian Consul- General, Kolkata to explore the textile region of West Bengal as a guest of honour. She participated in a 10 day tour of the region sharing knowledge with other women’s groups including the Bridging Culture and Art Foundation Kantha studio in Tushkhali, Sundarbans; the Sadaf India Studio and the Navajeevan Co-operative Society in Jajpur, Odisha.

As well as her textile designs with Bábbarra Women’s Centre, Marawarr is an established bark painter with Maningrida Arts & Crafts and she works for the Maningrida Night Patrol, a community safety service.

‘I like lino, print[ing] my design and doing different way to print my lino, different colours and different way. I print lino Yawkyawk (young woman spirit) and Ngaldjorlhbo (Mother of Everything). This was an old lady and she create that language and the world before. I also print also Rolk (maggot), my mother design cause I’m the Djunkay (land manager) for her.’ Janet Marawarr 2020

'I saw them old people, doing only lino with bush dye, no screen printing. I was eighteen [years old]. I’m 60 now [...] 40 years. I was just watching my mum, she would weave baskets. And also I saw my grandfather painting, ma. One day I learned from my grandfather. I love printing and linocuts – printing my designs on textiles.' Janet Marawarr for Artlink 2023


© the artist / art centre