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Karrbarda (Long Yam)

“This design is about collecting karrbarda (yams). The old people use these kungarrndutj (digging sticks) to dig the yams from under the ground. They carry the kunmatj (dilly bags) on their heads for collecting bush food. These yams are purple on the saltwater side of country and inland they are white.” – Deborah Wurrkidj

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. In this design, she has depicted Kun-madj (dilly bag) and karrbarda (long yam). Women dig up long yams with kungarrndutj (digging sticks) and they are then cooked in the ashes of the fire to be eaten.

Kun-madj, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant that grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect heavy foods, such as fish caught in conical fish traps or large collections of yams. They can also be made from Pandanus spiralis, a plant that grows in many areas of Arnhem Land.

Categories: Bawinanga Aboriginal Corporation

Name: Deborah Wurrkidj

Language: Kuninjku

Community: Maningrida

Biography:

Deborah Wurrkidj is a highly regarded, versatile artist who has readily adapted to new art forms while retaining her strong clan traditions. She has been working with Bábbarra Designs since 1991, alongside her mother, Helen Lanyinwanga, and sister Jennifer Wurrkidj. She is a leading textile artist and an integral member of Bábbarra Women’s Centre.

Deborah’s work is vibrant, tactile and intricate, evocative of the local natural environment as well as referencing her deep cultural knowledge. Her extensive body of textile art is illustrative of the artistic innovation that has occurred in Maningrida in recent times and that is apparent in her work in other mediums also.

Deborah is world renowned for her bark painting, lorrkkon (hollow logs), and fibre baskets. She has exhibited widely since 2001, throughout Australia as well as in Europe and the United States. She is represented in most of Australia’s state gallery collections.

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