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Wubbunj (Paperbark Canoe)

“Wubbunj is our traditional canoe. This design is the old history story of how people came to live in this place we call Maningrida. Two old people were staying on the other side of the saltwater, in Narlarrambarr area. The old people slept in a paper bark shelter and hunted on the water using their canoe.

A long time ago our people carved these canoes from the big paperbark trees. They had paddles with one person at the front, one at back, and other kids and passengers in the middle. Kunkot (paper bark) was used to make the sails which they would stand up and catch the wind.

One day these old people saw a new boat in their waters, which belonged to the Makassans (Indonesians). Those two old men saw the big Makassan boat coming in, and decided to paddle their canoe from Narlarrambarr to the other side (modern day Maningrida). We were scared of the Makassans, they gave us tobacco and tea, but they took many of our women.

When those two old people tasted that water at Maningrida from the Djomi spring, it was sweet freshwater and they decided to stay here. People here had no clothes in those time, we were just wearing string morkoi (loin cloths). Seven tribes were here then, but now in Maningrida there are lots more languages.” – Raylene Bonson

Categories: Bawinanga Aboriginal Corporation

Name: Raylene Ngalamyorrk Bonson

Language: Ndjébbana, Kuninjku

Community: Maningrida

Biography:

Raylene (Rayleen) Bonson is a skilled textile artist known for her intricate lino carvings, which she prints onto a variety of fabric surfaces. Her work is celebrated for its detailed depictions of ancestral stories and ceremonial objects, particularly the lorrkkon (hollow log used in burial ceremonies), kunmadj (dillybag), and mandjabu (conical fishtrap).

In 2019, Raylene's screen print design Wubbunj (Paperbark Canoe) was licensed by Kip & Co, featured in a successful and sold-out homewares collection. In 2021, the same design was used in a collaboration with Jam Factory to create the contemporary furniture piece Love Bench With Back, which was part of the touring exhibition New Exuberance in 2022.

Raylene has been a key artist at Bábbarra Designs since 2012, where she now holds a permanent position as an arts worker. She was mentored by her late mother, Nancy Gununwanga, a founding member of Bábbarra Women’s Centre and a fellow textile artist. Today, Raylene continues the legacy by mentoring and supporting her daughter, Rosanna Bonson, in their shared artistic journey.

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