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Yawkyawk Sari

Deborah Kamanj Wurrkidj b. 1971, Darwin, Australia YAWKYAWK (YOUNG WOMAN SPIRIT)

Janet Kalidjan Marawarr b. 1962, Oenpelli, Australia YAWKYAWK LA NGALNG (YOUNG WOMAN SPIRIT AND YABBY)

Owen Ngarridj Yalandja b. 1962, Oenpelli, Australia YAWKYAWK (YOUNG WOMAN SPIRIT)

Joy Bulandjan Garlbin b. 1959, Maningrida, Australia DJÓMI (MERMAID)

Elizabeth Gochan Wullunmingu b. 1972, Darwin, Australia JIN-MERDAWA (MERMAID)

Woodblock print on handwoven silk, extract print with organic dyes

Design brief by Janet Marawarr

Print composition by Anshu Arora and Prithi Pais

Printed by artisans at Tharangini Studio

Woodblock carving by Shri C.H. Sreeram and Shri S.K. Rajak

Fabric by Nandita Sulur

Yawkyawk is a word from the Aboriginal Kunwinjku and Kuninjku language, meaning young woman and young woman spirit being. Residing in fresh or saltwater, some Yawkyawk have long hair, associated with trailing blooms of algae. The female water spirit and fertility mermaid for the Kunibidji people is known as Djómi. Kuninjku artist Owen Ngarridj Yalandja is a senior member of the Darnkolo clan,custodians of an important Yawkyawk site near their outstation, Barrihdjowkkeng. The Yawkyawk djang (cultural histories) is central to the Darnkolo clan’s identity, for which they have spiritual and cultural responsibility. Yalandja was impressed by the carving technique on the woodblocks that returned with the team from India in 2023. He submitted a Yawkyawk design to Raylene Bonson for carving, and she prepared it for Tharangini Studio. Yalandja’s design is repeated throughout this sari. Yawkyawk swim underneath the rock. They always stay there. When the sun comes out they come out from underneath the river, make themselves warm. When they sit, they cry [sing] to themselves. Sometimes they go out to find the manme (food) and the mankung (sugarbag honey). – Janet Kalidjan Marawarr

Name: Janet Marawarr


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Janet Kalidjan Marawarr is a senior Kuninjku artist who has been creating textile-based artwork at Bábbarra Women’s Centre for almost 40 years. Also a skilled bark painter, Janet views her art practice as a way to explore color and experiment with new media to express her djang (ancestral creation stories). Her artistic journey has taken her to Paris, Los Angeles, New Zealand, and most recently, India.

In 2019, Janet traveled to Paris to launch the touring exhibition Jarracharra (Dry Season Wind), which featured her work. In 2022, she traveled to Los Angeles, where her work was included in the exhibition Aboriginal Screen-Printed Textiles from Australia’s Top End at the Fowler Museum, UCLA. In January 2023, Janet was invited by the Australian Consul-General in Kolkata to explore the textile-rich region of West Bengal as a guest of honor. During her 10-day visit, she shared her knowledge with various women’s groups, including the Bridging Culture and Art Foundation’s Kantha studio in Tushkhali, Sundarbans; Sadaf India Studio; and the Navajeevan Co-operative Society in Jajpur, Odisha.

'I saw the old people doing only lino with bush dye, no screen printing. I was 18 then and I’m 60 now, so it’s been 40 years. I used to watch my mum weave baskets, and I saw my grandfather painting, too. One day, I learned from him. I love printing and linocuts, printing my designs on textiles.' - Janet Marawarr, Artlink 2023


© the artist / art centre