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Bawáliba (Stone Country Mimih)

“Bawáliba is the djang (Dreaming) of my mother and my uncles. They are good spirits, they protect us and they recognise families. They are really tall- just like human beings, like us. They dance late at night and have a lot of hair. In olden times, long long long time ago Bawáliba were here, before people were on the land. Bawáliba used to go out hunting and care for Country. They hunt carrying fish traps and digging sticks, near the homeland ,Djinkarr. They go out hunting on the floodplains with dilly bags and digging sticks. They collect a lot of bush foods, and sleep together with one bark shelter.
Sometimes now they still come alive when we sleep, they might come to our houses and peep through the window. At night, they cover themselves with white clay and red cloth tied around their waist. If we hear them, we jump out of bed and get up to look -but they have disappeared, they’re just too quick. Bawáliba might knock on the window to remind us they are there looking out for us.If you listen deeply, you can hear them whisper, sometimes they talk about us and might say, ‘why are those people making camp here?’ then they realise ‘Oh they are family from here, it’s ok, they are just sleeping here for the night’.

During the day they always turn into stone and they sleep. We still know that green rock covered in moss near Djinkarr, that’s Bawáliba sleeping. Some of my ancestors used to speak the same language as the Bawáliba, but all those old people have passed away now. It’s a little bit sad for us, because no one can speak that Bawáliba language anymore.”

Lucy Yarawanga 2019

Name: Lucy Yarawanga


Language: Gurrgoni, Kuninjku


Community: Maningrida


Biography:

Lucy Yarawanga is a multi talented and highly respected artist represented by Bábbarra Women’s Centre and Maningrida Arts and Culture. Drawing on her deep cultural heritage, Lucy  incorporates her ancestral stories into her textile work, creating pieces that reflect the depth of her connection to country and culture.

Belonging to the Gurrgoni language group, one of the least commonly spoken languages in Arnhem Land, Lucy is also a remarkable linguist, fluent in eight additional languages spoken in the Maningrida region. This linguistic diversity reflects her deep ties to the various clans and cultures of her community.

Lucy has become one of the most prominent and productive women artists at Bábbarra Women’s Centre, working in the printing studio daily, where her dedication and creativity consistently shine through in each piece she produces. Her colour palette is rainbow and exploratory like the Ngalyod (rainbow serpent) she reproduces in her textile designs. 

In 2024, Lucy was honoured as a finalist in the prestigious National Aboriginal and Torres Strait Islander Art Awards (NATSIAA) at the Museum and Art Gallery of the Northern Territory (MAGNT). Her submission, a powerful bark painting depicting Bawáliba (stone country mimih), further solidified her reputation as an established artist. In 2025 Lucy Yarawanga won the NATSIAA Bark painting award, becoming the first woman represented by Babbarra Women’s Centre to receive a NATSIAA award.

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© the artist / art centre