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Nawarlah – Brown River Stingray

We hunt the Nawarlah (Brown River Stingray) during the wet season.  There is a plant with a yellow flower that tells us that it is the right time.  We know it will be fat. 

It is well known that Aboriginal art often depicts images of sacred totems or dreamings of Aboriginal culture. However, the world of the non-sacred also provides a rich source of subject matter for Aboriginal art. Much of the rock art of western Arnhem Land for example features secular topics such as common food animals and plants, depicted because of their economic importance but also merely because of their existence in the environment.

Name: Samantha Malkudja


Language: Kuninjku


Community: Maningrida


Biography:

Samantha Malkadja learned to weave from her mother Frewa Bardaluna, a master fibre artist who had numerous exhibitions with leading Australian commercial galleries.  Samantha’s work is distinguished by her soft tonal range, strong sense of design and intricate technique. Samantha makes panels and 2D sculptures which depict local fish and animal species and often yawkyawks, female water spirits.

Samantha predominately uses gun-menama (pandanus spiralis) in her works. To prepare the pandanus the inner leaves of the plant are collected using a hook. Each V-shaped leaf is first split in half along its spine. After removing the sharp spines, the two surfaces of the leaf are then split away from other. After this preparation, the pandanus is boiled in a billycan with plant materials to dye the fibre. Like her contemporaries, Alison only uses natural dyes and achieves enormous variation. Common colours in her work include:

barra gu-jirra: the soft, white and fleshy end of the pandanus leaf imparts green to the fibre.

-  mun-gumurduk/ gala (Pogonolobus reticulatus): a bright yellow root that is crushed and put in a billycan with the fibre and boiled. It creates yellow when boiled once and deep orange hues when boiled multiple times.

ngalpur (Haemodorum brevicaule): a bright red root which yields a range of purply red to brown colours.

Baluk: ashes of certain plants are added to the boiling billycan with the fibre and dye plants to alter the colour that is imparted to the fibre. The fruiting body of gulpiny (Banksia denanta) is burnt and the ashes added to other day plants to make the colour pink. 


© the artist / art centre