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Dreaming of the Kapi (water)

“This one here is a story form the Old Man [Wokka Taylor (dec.)]. It’s a story about bringing the kapi (water, rain). He told me this story, for me to tell now he’s gone. It was last year [2021], here in Parnngurr. We were sitting down in the ngurra (home), in the camp, and that old man he was singing, singing. Sitting down softly singing. I said, “hey Old Man, why you singing out there? For the kids?” You know I thought he was singing for the kids, to make them feel happy, make them laugh. Playing around [laughs]. But he said “No, I’m singing out for the kapi. Singing out for these clouds. Make him rain.” You know- fill up all the waterholes look after the Country. He was a Rain Maker that old fella, he knew this Country, could ask for the rains to come, fill everything up. Yeah, I’m painting this one here now for him, now he’s gone. Keep his stories going. Keep the kapi coming.”

– Emily Bumba, Parnngur 2022

Depicted in this work are sources of kapi (water) within the artists’ ngurra (home Country, camp), typically represented with circular forms. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Emily Bumba

Biography:

I was born in La Grange Mission- now it’s called Bidyadanga community. Bidyadanga means emu drinking from a waterhole in Karajarri language. Bidyadanga is home to four other tribes besides Karajarri. They came from the desert- the Mangala, Nyangamarta, Juwaliny and Yulparrija tribes. My father’s tribe is from the Ngurrara area (Joanna Springs) and his language group is Mangala. My mother’s tribe is Manyjillyjarra. She’s from the Great Sandy Desert, Kulyakartu area.

I, myself go by two ways- my mother’s and my father’s way. I am Milangka skin, my father is Panaka and my mother is Karimarra. I have six sisters including myself and one brother. I grew up in Bidyadanga and I was schooling at La Grange Remote School up until grade seven. I did my years eight to ten at Nulungu College in Broome. I did further education in Saint Mary’s school in Leederville until year twelve. I was placed in a foster house in Perth while I was schooling- I went back and forth during school holidays to be with my family.

Growing up in Bidyadanga was strict! My father was really protective of all of us- my sisters and brother. He wanted the best for us, for our education, and to have respect for our elders and for our family members. My father was working for the mission, he was a manager helping Father McKelson. Working alongside beside him was John Dodo, a Karajarri tribal elder, and Jack Malardy, also a Karajarri tribal elder. My mother was working at the bakery shop along with the other local ladies. She was also working with the nuns doing laundry and ironing and cooking for the lay missionaries.

The reason why I took up painting is because both of my parents came from the desert, the Martu and Ngurrara area. Working with the old people here at the Martumili Artists centre is giving me more connection to my mother and father’s country, because both of my parents have passed away. I feel privileged working with my elders, Wokka and Muuki and [Kanu] Nancy Taylor (dec.), my mother’s brothers and her sister in law. Their stories will continue on in my paintings.

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