11151031967

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Canning Stock Route- Our Country

Work on this painting commenced at Parnngurr Community in September 2011. The canvas was rolled out and Judith Anya  Samson, under Kumpaya’s instruction, painted the road and waterholes. Mid way through the waterholes being put down Kumpaya jumped in and started painting with Judith, soon a large number of artists were involved.

The painting was worked on at Parnngurr on and off for two weeks and finally completed by Kumpaya and Kathleen after ten days of nonstop painting to complete the detail.

The painting depicts the Canning Stock Route and the wells along it, more importantly it illustrates the artists intimate knowledge of their Country, the importance of fire to manage Country, the vast sand hills and underground water sources, the song lines , the Jukurrpa (Martu dreaming). The creation of this work provides an opportunity for young and old artists to work together, sharing knowledge and skills.

“There’s minyi puru (seven sisters) all through this painting, the seven sisters stopped all through this country, at all of the waterholes”

“The Jina (feet) show where Martu walked in pujiman, all through the desert, we still walk through our country, now there are lots of Toyotas on the CSR, tourists, Martu and the Martu rangers working on the country to look after it”

“You can see the pattern waru (Fire) makes on country and how much water there is in the desert, Martu know how to find this water, not just the water in CSR wells”

“Kunawarritji is the big waterhole; it’s my home, its lovely country”

– Kumpaya Girgirba 

Western Australia’s gold rush, beginning in 1885, created a huge demand for beef from mines located between Halls Creek and Wiluna. At that time, most of Western Australia’s cattle came from the Kimberley, though an infestation of tropical ticks among the East Kimberley herds gave the West Kimberley pastoralists a monopoly on the beef trade — causing prices to soar. A Royal Commission in 1904 proposed the construction of a stock route through Western Australia’s desert country to eliminate the ticks through exposure to its hot, dry conditions, resulting in the near 2000 kilometre Canning Stock Route. The proposal was successful insofar as the eradication of ticks was concerned; however, the establishment of the Canning Stock Route was to have far reaching repercussions for Western Australia’s Aboriginal population. 

The construction of the route by Alfred Canning and his team in 1910 resulted in first contact with Europeans for many Martu then living a pujiman (traditional, desert dwelling) life in the desert. This contact began with Canning’s use of Aboriginal guides to lead him to the sources of water that would be transformed into 48 stock route wells. Acts of cruelty toward these guides included, amongst other things, chaining them at night to prevent their escape and giving them salt water to drink, thereby ensuring their thirst and subsequent necessity to lead the party to water sources.

Following the construction of the Canning Stock Route, Martu encountered Europeans and other Martu working as cattle drovers as they would travel up and down the Stock Route from water source to water source. Increasingly, pujiman followed the route to newly established ration depots, mission and pastoral stations. They were drawn to the route in search of food, by a sense of curiosity, or by loneliness. By the late 1950s and early 1960s, most of the desert family groups had left the desert. Eventually, these factors combined with an extreme and prolonged drought in the 1960s to prompt the few remaining pujiman to move in from the desert. One of the last major migrations of Martu people occurred in 1963, when many of the pujiman born Martumili Artists moved to Jigalong.

Patterns of movement which had defined Aboriginal people’s relationships to Country were forever changed by the Canning Stock Route, but the Martu relationship with Country remains strong through the maintenance of physical and cultural ties to desert life and knowledge.

Name: Nancy Kanu (Karnu) Taylor


Language: Warnman


Community: Parnngurr


Biography:

"Jarntinti [is] ngayu mili (my) Country. I been grow up there from little kid. Ngayu mili nyamu (my grandfather's) Country and ngayu mili nana (my grandmother's) Country. Same like that for Wokka [Taylor, Kanu’s nyupa (husband)], he been there from little kid too.

[We had been living in Jarntinti Country for a time with Wokka's family] when we walk[ed] right up to Jigalong. We had already met up with [sisters] Mulyatingki, Nyanjilpayi and Mayiwalku, their two little brothers and their mummy. We been come through Yandicoogee, Stock River. Nobody been pick us up. We been walking; me and my brother Minyawe. My mummy and daddy were gone then. We been passing through Oakover River when whitefellas, women and man picked us up in a cattle truck, Christian mob. That whitefella, he from Kimberley. He been give us flour, he been cook plenty flour for us. We been tell him no good! We were bushmen people you know? Can’t have it [processed flour]! 

They drove us all the way to Balfour Downs, where we stayed for one night. From Balfour Downs we got picked up in the Jigalong truck. When we got there to Jigalong I saw Wokka again. [He was] still young fella. That’s when he became my nyupa. He’s been my nyupa since then, only one, good fella. We started working, mustering work. Together we went to Roy Hill Station. We worked there a long time together, but we finished when all the sheep died. No water. We went back home to Nullagine. Then we went to Maralinga Station, we worked there too. Wokka been ride a horse, stockman Wokka. I been do the cleaning up in house and mustering up the sheep.

We worked for many years on stations, too much time! [Eventually] we went to Strelley, everybody had their family there. We were there with Don Mcleod mob. I been stay there long time. We came down to Parnngurr after, staying in Parnngurr one way." 

 - Kanu (Karnu) Nancy Taylor (dec.)

 

Kanu was a Warnman woman born in the early 1940’s, and the younger sister of Minyawe Miller, highly regarded senior Martumili Artist. As a young woman, she and her family travelled extensively in the Karlamilyi (Rudall River) and Kulyakartu regions, from the heart of Martu Country to its north eastern boundary. 

By the 1960’s the last of the Western Desert pujimanpa (desert dwellers) had relocated to Jigalong, Marble Bar, Nullagine and Port Hedland, where they were living and working on missions and pastoral stations. Following a prolonged and severe drought, Kanu and her family collectively came to the decision to walk in from the desert. After travelling hundreds of kilometres on foot they were finally picked up by a truck driver they encountered at Oakover River and who drove them to Balfour Downs, where they were collected by Jigalong Mission staff.

At Jigalong Kanu married Wokka Taylor; the pair were inseparable through to her passing in 2019. From Jigalong the couple lived and worked together on several cattle stations throughout the Pilbara. Eventually, Kanu and Wokka relocated with their family to Parnngurr Aboriginal community as foundational community members during the ‘Return to Country’ movement of the 1980’s.

Kanu’s artworks depict her ngurra (home Country, camp), the Country she walked as a young woman; its animals, plants, waterholes and associated Jukurrpa (Dreaming) narratives. She was especially adept at portraying the fauna of her Country through its cyclical seasonal changes. Kanu’s work has been exhibited since the inception of MMA in 2006 in galleries throughout Australia, in Singapore and the USA, and acquired by the National Museum of Australia. 


© the artist / art centre