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MY MOTHER’S BIRTH

This one, before my mother bin’ born. Today this boab is down at the school in Warmun.
 
Gardiya (whitefellas) never cared if they were breaking a woman or not. They made ‘em work.
 
One day the gardiya, maybe a police man, I don’t know, one day the gardiya grabbed my grandmother and chained her to that tree. They bin’ belting her, hitting her with a stick. She was feeling sick. She was feeling sick – for 5 or 6 days she was feeling crook.
 
And that vegi garden that used to be down at the junction, that’s where she had my mother. Mrs Radigan found them in the afternoon when she was collecting cabbage and carrots for dinner. She heard a baby crying. This baby was my mother.
 
My grandmother was all swollen up. She had died but the baby was alive. Mrs Radigan been cut my mother’s cord and saved her. The Radigan’s grew her up. My mother spoke high English, but she also spoke Gija. Me, I speak like my father.
 

Categories: WARMUN ART

Name: Betty Carrington


Language: Gija, Kriol


Community: Warmun


Biography:

Betty Carrington was born on Texas Downs, but grew up with her family at the old Turkey Creek Post Office and Police Station (now the Warmun Art Centre). Betty’s father was a police tracker and her family lived there until the police station closed, when they moved back to Texas Downs. Betty worked on Texas as a housekeeper, and remembers the long hours of hard work. She working at Texas she would do everything from chopping wood, clearing rocks from roads, cooking and scrubbing floors, to going out bush looking for the cattle. Betty has travelled extensively throughout Australia representing Kimberley and Gija people in dance and cultural festivals in cities including Canberra, Sydney, Melbourne and Adelaide. She started painting in 1998 when Warmun Art Centre was established by the leading members of the Warmun Community. Betty uses a large range of subtle ochre colours, her delicate palette and style often describing strong and painful stories of historical events in the East Kimberley. One recurring visual reference in Betty's paintings is the rolling hills of her father's country, Darrajayin (Springvale Station). Betty also paints landscapes from her mother's country, Texas Downs Station, as well as Ngarranggarni (Dreaming) places. Betty uses painting as a medium to relate accounts of historical events post-white settlement, such as the Mistake Creek massacre and the Warmun gymkhana where Aboriginal people working on Texas Downs station were first introduced to alcohol. Betty and her partner Patrick Mung Mung are constant figures at the Warmun Art Centre. They take on the role of teaching - by example - the younger members of their extended family. The couple actively passes on Ngarrangarni (Dreaming) stories and techniques to master the medium of natural ochres.


© the artist / art centre