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LALANGGARRANY DU DARNDAL -CROCODILE & TURTLE

‘That’s that darndal and lalangkarrany. And that big mangkerrekerreny this side, big lizard. That his thamanyji –grandpa for lalangkarrany. And his grandma again old darndal, he Nangala. Yeah. Juwurruny, lalangkarrany and mangkerrgerreny [is] Jungurrany.  Jida wananyandeburru gurlum biya manamiyanda. He bin look round, digging all the way you know? Got ‘im that crocodile,  julij [carry] him all the way la coolamon, look around, he bin jidajida all the way, [stabbing the ground] jida all the way ‘til he bin come to Murruwuny. Rurd now, rurd nyiniyanya [she sat down] lalangkarrany, got a lalangkarrany got a coolamon, landurrbaya [with a coolamon].  La nyarnde[gum] he bin put ‘im down, la gum, you know gum tree, big one? La shady tree and he bin go got a ganany [digging stick] now yilag. He bin jida, jida, jida right down; water bin shoot out. Nerraj nginini now gurlun yilang balawabiny jidangarriny nyanini. [the water shot out when the turtle stabbed the ground] Jida nyanini daburr nyinamanya gurlun gulurrugu neraj nginini balawabiny. Well the water bin shoot up now he bin fill up now, go back wiji nyanini [she ran] . He bin get all the nyarnde for him, all the nyarnde.  He bin put ‘im right round la derla la tail all around la head everywhere. He bin tell ‘im “wiji buma now, yilag,[run now” he bin tell ‘im to run la that water now. Lalangkarrany bin run, he bin go down la water yilag, nothing. He bin shoot out you know? He wasn’t what’s-a-name, he wasn’t too happy to go down right down. That lalangkarrany he bin put ‘im la him more nyarnde, he never go down you know? He bin put ‘im la him more nyarnde he bin run fast, he never come out. Turtle now he bin put ‘im bat a more nyarnde again he bin try him. Nothing, he bin come out again. He bin go back put ‘im more nyarnde, finish. He bin nyirregnyirreg for good, stop there. And that mangkerre bin run, he bin go stand up la campground. You can see that rock la standing up. Murruwuny now that one.  Fish Hole, top way la Springvale way, well that dunbin [gap] down this way.  And he livin’ there. You can see big mob crocodile everywhere la bank when you light ‘im bat night-time you know? You can see murl there murl everywhere. Eye, murlu deg ngerne lirringbe nginji murlu he lookin’ out you know? He bin looking out, shiny.’  
This Ngarrangkarni involves Darndal the turtle and Lalangkarrany the crocodile. According to Gija kinship system, the turtle is Nangala skin, making her the crocodile’s grandmother, he is Juwurru. Waving Lizard, Mangkerrekerreny is Jungurra, the crocodile’s grandfather. Crocodile was mortally wounded in a fight with Binjirrminy the bat. The turtle placed her dying grandson in a coolamon (landurr) and carried him to this place. As she walked she stabbed the ground with her digging stick trying to find water. At Murruwuny, she put Crocodile down under a shady nyarndeny tree. She stabbed her stick into the sand again and a jet of water came shooting out, creating a deep pool. She covered crocodile in sap and told him to jump into the water, he did but floated to the top. She continued to cover him in more gum, all over his body until at last he jumped in and sank to the bottom. Turtle then covered herself in gum and tried to follow Crocodile. She too floated to the top. Covering herself with more gum, she again jumped in the water and like her grandson sank to the bottom and stayed there. Mangkerrekerreny ran away and turned to stone at a place close to Murruwun. This is Juli’s traditional country on Springvale Station. She says when you go to this spot on the river at night and shine a torch, you can see the glinting eyes of many crocodiles.
 

Categories: WARMUN ART

Name: MABEL Wiringgoon JULI


Language: Gija, Kimberley Kriol


Community: Warmun


Biography:

Mabel Juli is one of the most dedicated and iconic of all Warmun artists. Her seniority and status as one of Australia’s most revered painters has emerged from a consistent and growing body of work characterised by bold yet simple compositions that are informed by nuanced and detailed stories passed onto Mabel from her family.

She has been featured in over one hundred group shows as well as several solo shows throughout her career; her most recent one being held in the Kimberley artists own region at the Short Street Gallery in Broome (June 2018). She has also been featured eight times as a finalist in the Telstra National Aboriginal and Torres Strait Islander Awards (since 1994). Mabel's Garnkiny Ngarranggarni and other dreamings continue to define the Australian Indigenous art canon; a testament to her iconic and striking expression of her Gija culture is yet again celebrated in 2018, when her Garnkiny and Bird artwork are animated in projections for "Badu Gili" on the sails of the Sydney Opera House. The result is a unique cultural setting where two iconic Australian symbols are united in a year-long event honouring and the First Nations culture and art.

Mabel Juli was born at Five Mile, near Moola Boola Station (south of Warmun), and was taken as a baby to Springvale Station, her mother's country. Mabel's 'bush name' is Wiringgoon.  

She is a strong Law and Culture woman and an important ceremonial singer and dancer. Juli started painting in the 1980s, at the same time as well-known Warmun artists Queenie McKenzie and Madigan Thomas. The women used to watch Rover Thomas paint and one day he said to tell them, 'You try yourself, you might make good painting yourself'. Juli says, 'I started thinking about my country, I give it a try'. Juli is a dedicated, innovative artist who continues to work in natural earth pigments on canvas. She primarily paints the Ngarranggarni (Dreaming) stories of her country Darrajayin which is covered largely by Springvale Station.

Mabel started work on the station as a little girl, and as a young woman moved to Bedford Downs Station and Bow River Station to work. Juli's mother is Mary Peters. Juli is one of seven children - six boys and one girl, Mabel.  Well known artist Rusty Peters is Mabel Juli's brother. He also paints at the Warmun Art Centre.

Mabel left Springvale Station to be with her promised husband. Together they moved to different cattle stations in the Kimberley, including Bow River and Bedford Downs. Mabel and her husband had six children. He passed away in 1982; Mabel was 42.

ARTIST STATEMENT 2004: 'I started painting when the old girl [Queenie McKenzie] was here - she was the one who taught me to paint. She told me, 'You try that painting’, and I started to paint. I was doing that Garnkiny [Moon Dreaming]; that’s the painting I started with - because my mother and father told me that Ngarranggarni [Dreamtime] story. I was reminded of all those stories from my mum and dad - like Glingennayn Hill and the Old Woman Singing Out for Her Dog. Those stories come from my country [Springvale]. 'They used to take me out bush when I was a little girl - good size - and they told me all about those Dreamtime stories. And I always remember those stories. I got ‘em in my brain.'

ARTIST STATEMENT, 2007: 'I’m feeling pretty good. I like going to exhibitions, going to Sydney, feels good. 'I’m always busy. I finish the work, the painting, and go home. Go to [Warmun Community] council meetings, go to court [as an elder]. I got to make money to get tucker for my grandchildren. I still think about Aunty [Queenie McKenzie, who taught her to paint]. When I do paintings. She tell me about stories.'

ARTIST STATEMENT, 2018: "Ohh, too many years I've been working. When I was young, I was working around the school and my auntie Queenie [Mckenzie] asked me to do painting...I'm the first one to do painting. Other people, they all bin in the station, working you know... I'm getting old now. That's what I do - painting - and my auntie, she learned me for painting. I've never do the [new] Ngarrganggarni (Dreaming) yet, only the old one. [The new one] might be next year... yeah." 


© the artist / art centre