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Walangka Tuwangka

The traditional lands of the Martu people encompass the Great Sandy Desert and Rudall River regions of Western Australia, an enormous tract dominated by distinctive red tali, or tuwa (sandhills). These sandhills present an unforgiving landscape; sparse vegetation covers a seemingly never ending expanse of dunes, and yet these lands and the location of resources within them was known intimately by its pujiman (traditional, desert dwelling) inhabitants. At this time, Martu traversed very large distances annually in small family groups, moving from water source to water source through the harsh desert landscape with incredible stamina and resourcefulness. Travel was often undertaken at night, and when travelling during the day, Martu wore yakipiri (woven bark sandals) to protect their feet from the hot desert sand.

Name: Morika Biljabu


Language: Manyjilyjarra


Community: Punmu


Biography:

"I was born in Port Hedland in January 1988, my skin is Purungu. I’m a Martu girl. My first language is Manyjilyjarra and my second language is English. I grew up in Parnngurr and Punmu communities. When I was young, I didn’t know what was out in the desert. Even when I first took photos of Martu people, I didn’t really know what was going on. When the old people all started painting, I asked them what they were doing and they told me where their country was and taught me the country stories. I really love taking photos of the old people and they have been giving me a better idea of what they are doing when they paint. That was how I learned about the history of the Canning Stock Route and how they all lived in the desert. How they survived there. They all helped me a little bit. They helped me understand how I am connected to their paintings and related to all the families through the skin groups and how we are all connected to the country. It’s a big country. All the people seem to paint different stories, but it’s the same story underneath. We’re really all one people, with one big story and one big country." Morika has been assisting her grandmother, Jakayu Biljabu, on a series of significant works and learning more about her country. In 2009, Morika was nominated for the Prix Pictet, an international prize devoted to photography and sustainability.


© the artist / art centre