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Karrbarda (Long Yam)

“This design is about collecting karrbarda (yams). The old people use these kungarrndutj (digging sticks) to dig the yams from under the ground. They carry the kunmatj (dilly bags) on their heads for collecting bush food. These yams are purple on the saltwater side of country and inland they are white.” – Deborah Wurrkidj

Deborah Wurrkidj is a Kuninjku artist from the Kurulk clan whose country lies around the outstation of Mumeka in central Arnhem Land. In this design, she has depicted Kun-madj (dilly bag) and karrbarda (long yam). Women dig up long yams with kungarrndutj (digging sticks) and they are then cooked in the ashes of the fire to be eaten.

Kun-madj, or dilly bag, is a large woven collecting basket. These large bags are often made from the vine ‘Malasia scandens’, a strong pliable plant that grows along the floor and into the canopy of monsoon vine thickets. The bags are used to collect heavy foods, such as fish caught in conical fish traps or large collections of yams. They can also be made from Pandanus spiralis, a plant that grows in many areas of Arnhem Land.

Name: Jennifer Wurrkidj (dec)


Language: Kuninjku


Community: Maningrida


Biography:

J. Wurrkidj was a highly regarded textile artist who started working at Bábbarra Women’s Centre in 2007. Her print designs featured local bush foods and food-collecting devices such as kunmadj (dilly bag), mandjabu (fish trap) whilst also referencing the activities of ancestor beings and the ceremonial sites of her homeland, Mumeka.

J.Wurrkidj also created artwork for Maningrida Arts and Culture alongside other members of her family who were also accomplished artists: her mother, H. Lanyinwanga (Dec), sister Deborah Wurrkidj and daughter Abigail Namundja. She was the daughter of Australia’s most highly acclaimed bark painter, John Mawurndjul, and renowned, in her own right for her bark paintings, hollow logs and carved sculptures. Her artwork has been exhibited throughout Australia and her textile works are in the collection of the Art Gallery of South Australia, CDU, Bendigo Art Gallery, National Museum of Australia and has been touring internationally with Jarracharra (dry season wind) since 2019.

In her later years she focused her arts practice on mentoring her daughter Abigail Namundja who printed her lino designs in her capacity as an arts worker at Bábbarra Women’s Centre.


© the artist / art centre