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Billunooka Spring

“Martu people know how to find water in the desert, they know the Country looks different where there is water under the ground.”

– Corban Clause Williams

Depicted in this work are sources of kapi (water) within the artists’ ngurra (home Country, camp), typically represented with circular forms. During the pujiman (traditional, desert dwelling) period, knowledge of water sources was critical for survival, and today Martu Country is still defined in terms of the location and type of water. Each of the hundreds of claypans, rockholes, waterholes, soaks and springs found in the Martu desert homelands is known through real life experience and the recounting of Jukurrpa (Dreaming) narratives by name, location, quality and seasonal availability. This encyclopedic knowledge extends even to the nature and movement of arterial waterways, and sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant.

Name: Lynne Charles


Language: Putijarra, Manjilyjarra



Biography:

My name is Lynne Charles and I was born in Jigalong and grew up in Billunooka Station.  When I was 12 years old my parents took me to Jigalong and enrolled me in school. I started painting with old girl Helen Dale. She used to bring paint to the house. I used to sit down and watch. I thought I'd give it a try with Aunty Helen. I started in my 30's. 


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