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Banumbirr- Morning Star Ceremony (Dhuwa Moiety)

Banumbirr – Morning Star Ceremony (Dhuwa moiety)

The Morning Star Ceremony is from the Dhuwa moiety. I have painted the ceremony here. It’s got leaves from the banyan tree (ficus virnens) that makes figs for people to eat – they are part of our bush tucker.

 

The Morning Star is from my great grandfather, my grandfather and my father. I paint it for my family to show my sisters and brothers. My grandfather and my father have both passed away, so I teach the bunggul (dancing) to my children.

We make a little Morning Star (you can see a man holding that on the right side of the painting), so the big Morning Star can came out. It is a long ceremonial pole that we dance around. You can also see the little Morning Star in this painting. There are men with yidaki (didjeridoo) and bilma (clap sticks) singing the Morning Star song cycle part for my people. The women have banyan tree leaves that they are dancing with.

We make a big Morning Star pole as part of the ceremony. You can see that in the middle of this painting.

Banumbirr – Morning Star – is an exchange ceremony with other clans in the Bapurru (clan group).

The Morning Star is the first star you see in the sky in the mornings.

Categories: Bula'bula Arts

Name: Shannon Ashley


Language: Wagilak



Biography:

Djarrak's mari (mothers mother) was one of the first recognised female painters of the Ramingining community. Today, the early career talent paints alongside both her mother and her grandmother. 

Shannon also speaks of fond memories of herself as a little girl watching her uncle, the late great artist Djardie Ashley, put pigment down on bark.

“He is my uncle, and he grew me up. Painting and making art reminds me of him. He is always in my heart, forever.”

Shannon’s own art practice certainly reflects these robust artistic roots. Her paintings on canvas are a true feast for the eyes, their intricate details wrought by a confident young hand. Abstracted patterns and crosshatching techniques in a palette of earth and sky are striking to behold, reflecting her Yolngu stories in a dynamic, visually vibrant way.

Shannon is constantly inspired by these deep connections to family, Country and culture. “My family have three different countries; one place we call that area Luthunbarr,” she says.

“It’s a very beautiful Country, it’s Yolngu Country. We have everything there like trees, we go fishing, hunting for seafood like mud crab, long necked turtle and oysters.”

Through her practice, Shannon honours and respects the ancient knowledge and traditions that govern Yolngu culture. Painting stories that her family have given permission to paint and learning about Yolngu culture so if they pass away, Shannon can follow in their footsteps.


© the artist / art centre