115682253932

Published by CompNet Systems on



Baru Dhawu (Crocodile Story)

Baru (the crocodile man), was from the Gumatj clan. People usually call him Gurdu Gurdu or Baru which means crocodile. He lived his life at a place called Yirrkala. Living near him were other people, and when Baru didn’t have enough to eat he began to kill and eat these other people. After a while others noticed that some people were missing. When Baru went to the toilet, the people could smell this strong smell, so they knew that he ate the other people. Some men went to get help and they took message sticks to the other tribes. Some were sending smoke signals. When they came to Baru’s camp they started to spear him in the left side of his ribs. He dropped into the fire and burnt his left hand and maybe his right hand. He then ran into the bush and yelled to his countrymen – the animals, birds and fish that live on the land and in the sea. He stopped and he named the tribes and clans and also the places until he came to a place called Gamarru/Guyurru. There he took a rest and said to himself “This is where I stop and call this place Gamarru/Guyurru”. Baru, still in pain from the fire, then jumped into the water and turned himself into a crocodile. The fire left scars on his back. Baru paintings belong to Gumatj and Warrawarra and also the Marpi clan. This painting is used at death ceremonies or initiations and it normally is painted on the belly, which means the person the design is painted on is part of Gurdu Gurdu (the crocodile people).

Categories: Bula'bula Arts

Name: Shannon Ashley


Language: Wagilak



Biography:

Djarrak's mari (mothers mother) was one of the first recognised female painters of the Ramingining community. Today, the early career talent paints alongside both her mother and her grandmother. 

Shannon also speaks of fond memories of herself as a little girl watching her uncle, the late great artist Djardie Ashley, put pigment down on bark.

“He is my uncle, and he grew me up. Painting and making art reminds me of him. He is always in my heart, forever.”

Shannon’s own art practice certainly reflects these robust artistic roots. Her paintings on canvas are a true feast for the eyes, their intricate details wrought by a confident young hand. Abstracted patterns and crosshatching techniques in a palette of earth and sky are striking to behold, reflecting her Yolngu stories in a dynamic, visually vibrant way.

Shannon is constantly inspired by these deep connections to family, Country and culture. “My family have three different countries; one place we call that area Luthunbarr,” she says.

“It’s a very beautiful Country, it’s Yolngu Country. We have everything there like trees, we go fishing, hunting for seafood like mud crab, long necked turtle and oysters.”

Through her practice, Shannon honours and respects the ancient knowledge and traditions that govern Yolngu culture. Painting stories that her family have given permission to paint and learning about Yolngu culture so if they pass away, Shannon can follow in their footsteps.


© the artist / art centre