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Untitled

This is Mulyatingki’s Country- her ‘ngurra’ (home Country, camp). People identify with their ngurra in terms of specific rights and responsibilities, and the possession of intimate knowledge of the physical and cultural properties of one’s Country. Painting ngurra, and in so doing sharing the Jukurrpa (Dreaming) stories and physical characteristics of that place, has today become an important means of cultural maintenance. 

Mulyatingki’s ngurra encompasses the Country that she and her family walked in the pujiman (traditional, desert-dwelling) era. Mulyatingki was born at Nyinyiri, a small soak yulparirra (south) of Juntu-juntu (Canning Stock Route Well 30). She grew up, walked and hunted primarily around the Country extending across the Punmu, Kunawarritji (Canning Stock Route Well 33) and Karlamilyi (Rudall River) regions. Following the death of both their parents, Mulyatingki and her sisters travelled alone between Punmu and Kunawarritji, occasionally meeting with other family groups. They continued to live nomadically before eventually deciding to move to Jigalong Mission along with many other relatives following an extreme and prolonged drought in the 1960s. 

Portrayed in this work are features of Mulyatingki’s ngurra, such as the dominant permanent red tali (sandhills), warta (trees, vegetation), and the individually named water sources she and her family camped at. These include Januwa, Jilankujarra, Karlajarntu, Kartungu, Kularti, Kumpupajanu, Kunalimpi, Kunarra, Marnakarti, Pangkapirni, Wilunganinya, Wurur-wururna, Yilyara, and Yirrajarra Rock holes, waterholes, soaks and springs were all extremely important sites for Martu people during the pujiman period, and are generally depicted with circular forms. 

The encyclopaedic knowledge of the location, quality and seasonal availability of the hundreds of water bodies found in one’s Country sustained Martu as they travelled across their Country, hunting and gathering, visiting family, and fulfilling ceremonial obligations. They would traverse very large distances annually, visiting specific areas in the dry and wet season depending on the availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. As they travelled and hunted they would also burn areas of Country, generating a greater diversity of plant and animal life.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Mulyatingki Marney

Language: Manyjilyjarra

Community: Punmu

Biography:

Mulyatingki is a Manyjilyjarra woman, born in the early 1940’s at Nyinyiri, a small soak yulparirra (south) of Juntu-juntu (Canning Stock Route Well 30). She is the middle sister of senior Martumili Artists Nyanjilpayi (Ngarnjapayi) Nancy Chapman and Mayiwalku May Chapman. Her family’s Country extends across the Punmu, Pangkapirni (Bungabindi Well), Kunawarritji (Canning Stock Route Well 33) and Karlamilyi (Rudall River) regions. Mulyatingki grew up in Karlamilyi, but following the death of her parents, she and her sisters travelled alone in the desert between Punmu and Kunawarritji for a time, occasionally meeting and travelling with other family groups.

 

The young sisters had travelled south into the Karlamilyi (Rudall River) region when they first encountered whitefellas. They saw a plane flying overhead and, petrified, hid under spinifex grass until the plane had passed. Subsequent to the construction of the Canning Stock Route in 1910, the family increasingly came into contact with Europeans and Martu working as cattle drovers along the route. Gradually men from Mulyatingki’s family began to work seasonally at stations around Jigalong, but as a family group they remained living in the desert long after most Martu had moved to Jigalong Mission. Finally, in 1966, following a prolonged and severe drought, Mulyatingki and her sisters decided to walk to Balfour Downs, where they were collected by Jigalong Mission staff. At the mission, Mulyatingki was given the whitefella name "Jeannie." She lived there for many years before moving with her three children and sister Nyanjilpayi to Punmu Aboriginal community in 1982. Today Mulyatingki lives between Punmu and Port Hedland.

 

Mulyatingki was one of Martumili’s pioneering artists. She has developed a strong reputation for her paintings, often comprised of a bold, gestural compositional base overlayed with dots and smaller brushstrokes that seem to vibrate with energy and movement. Mulyatingki’s artworks depict her ngurra (home Country, camp); the Country she walked as a young woman, its animals, plants, waterholes and associated Jukurrpa (Dreaming) narratives. Her work has been exhibited widely across Australia and internationally, and is part of collections at the National Museum of Australia, the National Gallery of Victoria, and the Royal Collection of Her Royal Highness Queen Elizabeth II.

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