111582259744

Published by on



Near Jigalong

Near Jigalong this place. There is two turkey and one kangaroo. Kipara and marlu and full moon.”

-Troy Polly

This work portrays an area known to the artist, painted here from memory. During the pujiman (traditional, desert dwelling) era one’s survival depended on their intimate knowledge of the location of resources; thus physical elements of Country, such as sources of kapi (water), tali (sandhills), and different varieties of warta (trees, vegetation) were carefully observed and remembered. Today, this relationship with Country remains equally strong, despite the movement of Martu out of the desert and into remote Aboriginal communities, towns and cities.

Troy has painted country near Jigalong, an Aboriginal Community, the largest of the Martu communities, is located on the western edge of the Little Sandy Desert, not far from the town of Newman. Jigalong was established in 1907 as the site for a maintenance and rations store for workmen constructing the Rabbit Proof Fence, and was converted into a camel breeding site in the 1930’s before finally becoming a Christian mission under the Apostolic Church in 1947. Old Jigalong is where the camp on Jigalong Station was situated before the present Community was built. Jigalong and its surrounding land was returned to the Martu in 1974. 

For many Martu, Jigalong Mission was the site where their pujiman (traditional, desert dwelling) lifestyle came to an end from the late 1940s. From this time, they mostly transitioned to a life as stockmen and women working in cattle stations in the Pilbara region and beyond. In the wake of the extreme and prolonged drought of the 1960s, the last of the remaining pujimanpa (desert dwellers) were forced to move to missions like Jigalong, where a supply of food and water was assured. There, many were reunited with family members that had already moved in from the desert.

 

Name: Troy Polly


Language: Manyjilyjarra


Community: Kunawarritji


Biography:

Troy grew up in Kunawarritji and has been painting with his grandmother Bugai and his great grandmothers Wompi and Nungabar since he has eight. When he was in school he worked with Jila Tony who taught them to make models of the community. Now Troy enjoys making his own models with found materials and telling the stories of Kunawarritji and his life. He also paints about things that he enjoys such as when Desert Feet visit which is a truck with a stage and a band set up that visit the remote communities developing musicians such and Troy.  He also paints his favorite characters from the video games that he plays out in Kunawarrtiji when he is not working for either the KJ rangers or the community and has some spare time.


© the artist / art centre