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Marebu

Works in fibre from the Maningrida region are widely recognised as some of the finest in Australia. Artists confidently push the boundaries of fibre craft and cultural expression, adapting traditional techniques and forms to produce strikingly inventive and aesthetically exquisite artworks.

Artists weave many different kinds of mats. Conical mats were traditionally used to shield babies from mosquitoes. Long flat mats were used for blocking creeks so that fish would be diverted into fish traps. A small triangular mat made of pandanus fibre used to be worn by women during ceremonial gatherings, tied around their back and covering them at the front. Mats are also used for wrapping and rinsing food in water.

Artists usually use kundayarr, pandanus spiralis, to weave decorative round or oblong mats, as well as the less common triangular and conical shapes. Weaving is physically hard work, now done only by women. They colour the pandanus using natural dyes made from the roots, leaves or flowers of plants within the weaver’s clan estate.

The radial woven patterns of the finest round mats appear to vibrate with colour, sometimes regarded as an aesthetic manifestation of deep cultural meaning, as there is a significant spiritual dimension to pandanus mats.

Name: Carol Liyawanga


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Carol was born on a remote cattle station, near Bulmun community, where her mother was working at the time.

Carol now lives with her family on the remote homeland of Buluhkaduru. Carol currently works as a remote homelands supervisor, managing the Buluhkaduru women's centre.

She is a talented weaver of pandanus and a lino cut artist. Her mother taught her how to weave baskets and dilly bags, and collect the natural fibres from the bush land. Carol has strong knowledge in Arnhem Land plants and native wild foods.


© the artist / art centre