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Minyipuru (Jakulyukulyu, Seven Sisters)

The term Jukurrpa is often translated in English as the ‘dreaming’, or ‘dreamtime’. It refers generally to the period in which the world was created by ancestral beings, who assumed both human and nonhuman forms. These beings shaped what had been a formless landscape; creating waters, plants, animals, and people. At the same time they provided cultural protocols for the people they created, as well as rules for interacting with the natural environment. At their journey’s end, the ancestral beings transformed themselves into important waters, hills, rocks, and even constellations. 

Minyipuru, or Jakulyukulyu (Seven Sisters) is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. When Martumili Artists was established in 2005, this was the first Jukurrpa story the artists agreed to paint for a broader public. 

Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following a group of women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled.

Name: Noreena Kadibil


Language: Putijarra


Community: Parnngurr


Biography:

"My country is Kajarra between wells 6 and 9 on the Canning Stock Route. This is my dad’s country and my grandfather’s and grandmother’s country. I only paint my grandfather’s and grandmother’s country, that’s our traditional lands. Jigalong belongs to the mob. I have other country but there’s other people mixed up in it. Mum was born in Savoury Creek. My grandmother used to live in Jigalong before Old Jigalong got started. I paint pictures of my country to keep it safe and to show my kids how to look after it." "I grew up in Wiluna and on Lake Violet Station. We moved to Jigalong in 1969 after my father passed away. I moved to Parnngurr with five children in 1984 (Murphy was the youngest), there was too much humbug in town, it’s a quieter place out here." Noreena was taught by her parents and grandparents about her traditional lands and how to survive in the bush. She has passed on this knowledge to her kids and grandkids as well as teaching them how to paint. Her mother Daisy had been taken from her family as a child and placed in the Moore River settlement. The film Rabbit Proof Fence tells Daisy's story.


© the artist / art centre