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Jilukurru (Killagurra Springs, Canning Stock Route, Well 17)

“When I went back to my County, I thought how beautiful the spinifex was. How the sun glazed against the spinifex. The county that I speak of is Jilukurru, my grandfather’s Country.”

– Kathleen Maree Sorenson

Jilukurru (Killagurra Springs, Canning Stock Route Well 17) is a yinta (permanent spring) located in the hills and gorges yapurra (west) of Kumpupirntily (Kumpupintily, Lake Disappointment). This spring was an important site for meetings during the pujiman (traditional, desert dwelling) era.

Jilukurru is also sacred for its relation to the Jukurrpa (Dreaming) narrative of the Wati Kujarra (Two Goanna Men), one of the key foundational myths for Western Desert people, and for this reason access to the site is respectfully restricted. The Wati Kujarra existed as half men, half goanna. They were responsible for the creation of many land features in Martu Country and beyond as they travelled, hunted and burned Country together. Wati Kujarra is a ngurlu (sacred, taboo) men’s story, and much of the content is only shared with initiated men.

At Jilukurru, the Wati Kujarra lived for a time. Here they also trimmed their ngarnkurrpa (beards). On one of the rocky headlands of the range system, the form of the two men can be seen, with their long beards rolling down the escarpment. After the Wati Kujarra left Jilukurru the site became home to an ancestral rainmaking jila (snake).

Name: Kathleen Maree Sorensen


Language: Kartujarra


Community: Jigalong


Biography:

"I have experience working with different mediums such as felting, jewellery making, carving into wood for printing, and using a pallet knife in my art. I'm also learning from the senior artists from the other Martu communities. Everybody has their own style in their art. I love the stories they tell me from back in their early days.

The good relationship I have with the other artists and working with Martumili is based on respect; the respect I have for elders, and knowledge of two cultures, Aboriginal and Non-Aboriginal. That makes me the perfect person to help the Martu people of the Western Desert region to understand how the art centre operates and other things that influence Martu people’s lives".

- Kathleen Maree Sorenson

 

Kathleen started painting at Jigalong Aboriginal community in 1999 and completed a visual arts certificate at Pundulmurra TAFE campus in Port Hedland in 2000. Kathleen paints stories about her Country, various types of bush tucker, stories from her mum and from family trips out bush.

Kathleen experiments with different mediums, working toward the development of her own unique style. Kathleen is also a basket maker; she learned how to make baskets from her Aunt, Dora Booth. "My Aunty asked me to help her start the centre ring of the basket one day and then I started to get the hang of making baskets myself. I started collecting spinifex and sitting with my Aunty and working with her making baskets, then I started making my own." 


© the artist / art centre