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Kunkurra (Two Wind Dreaming)

The artist has painted kunkurra, the spiralling wind associated with several sites in the Kardbam clan estate. On one level, this painting can be interpreted as a depiction of the mini-cyclones common during the wet season in Arnhem Land, where the artist lives. Kunkurra also relates specifically to a site called Bilwoyinj, near Mankorlod, on Namunjdja’s clan estate. At this site, two of the most important Kuninjku creation beings, a father and son, known as the Nakorrkko, hunted and ate a goanna. They left some of the goanna fat behind, which turned into the rock that still stands there today.

The word ‘Bilwoyinj’ – the name of this site – also refers to the goanna fat. The Bilwoyinj site is also a ceremonial ground for Yabbadurruwa, a major ceremony owned by the Yirridjdja patrimoiety. The Yabbadurruwa ceremony is primarily concerned with initiation, land ownership and promoting the cyclical regeneration of the human and natural worlds.

 

Source: Hetti Perkins et al., ‘Crossing country: the alchemy of Western Arnhem Land art’, Art Gallery of New South Wales, Sydney, 2004

Name: Paul Nabulumo


Language: Kuninjku


Community: Maningrida


Biography:

Kulmarru man, Paul Namarinjmak Nabulumo is from the homeland of Yirrkarakal, 80kms from Maningrida, and is one of Arnhem Lands most prominent up and coming contemporary artists. Born in 1971 and son to renowned artist Mick Kubarkku (1925-2008), Nabulumo is critically acclaimed for his work depicting sites from his country, Yikarrakkal. Learning from a young age of his father’s iconic imagery, his elegant paintings depict djang (dreaming), Dird (Moon), Ngalyod (Rainbow Serpent), and Yawk Yawks (Freshwater Mermaids).

Nabulumo’s minimal style and use of negative space differs from his father, but similarities in aesthetic can be seen in the facial features of the Mimih’s and Yawk Yawks. 

Nabulumo has exhibited nationally and internationally since he began painting in his early 30’s. He was a finalist in the 23rd and 28th Telstra National Aboriginal & Torres Strait Islander Art Awards and his work is held in numerous public and private collections including the National Gallery of Australia.

Paul is predominantly represented by Maningrida Arts & Culture.

Marrawuddi Arts & Culture is honoured to showcase a selection of his original paintings on paper, and small paintings on bark.


© the artist / art centre