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Ka-milemarnbun (Weaving story)

The Kuninjku term ka-milemarnbun refers to the weaving and production of goods from pandanus leaves and natural fibres. This design specifically depicts the fish trap, basket and pandanus mat.

These three objects and ancestral spirits are significant to the artist as together they relate to her djang (dreaming). Fish traps are woven by hand using the milirl (burney vine, Trophis scandens) from the jungle, which is soaked overnight to make it soft. Fish traps are used by both saltwater and freshwater hunters.

Baskets and pandanus mats are made from pandanus leaves, which are collected using long hooks, stripped, dried, boiled in natural dye, then woven.

Categories: Bawinanga Aboriginal Corporation

Name: Susan Marawarr

Language: Kuninjku

Community: Maningrida

Biography:

Kuninjku artist Susan Marawarr was born in 1967 into a strong artistic family.  She is the daughter of Anchor Kulunba and Mary Wurrdjedje, and the sister of acclaimed bark painters James Iyuna and John Mawurndjul.    Marawarr is an accomplished printmaker, sculptor, weaver and bark painter.  Common subjects of her work include the powerful djang of wak wak, ngalyod and yawkyawk mythologies alongside the imagery of  popular everyday items like dilly bags, fish-traps,  mats and baskets.  She is known for her striking black and white palette.  This combined with her use of deep perspective often creates graphic optical effects, movement and energy in her idiosyncratic works.

In 2000, she collaborated with the Waanyi artist Judy Watson in the development of Watson’s public art commission of fish fences and dilly bags cast in bronze for Sydney International Airport.  Marawarr toured the United States in 2001 with the exhibition Bush Colour promoting the work of female printmakers as well as supervising bark painting workshops.

Over the last decade Marawarr’s artwork has been shown at numerous  galleries and cultural institutions including, Gabrielle Pizzi, Annandale Galleries, JGM (London) and the Art Gallery of New South Wales.   Her work is held in many national collections including the Art Gallery of Western Australia, Museum of Contemporary Art, Museum of Victoria and National Gallery of Australia. Text courtesy Maningrida Arts & Culture

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