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Published by CompNet Systems on

Makarr (Fish Trap)

Fish traps are called Makarr in our language. They were made by men only. Our fathers and uncles used to make them with the lawyer vine. They stripped the stems and then soaked them in the river to keep them soft and bendy. They also had a special way of weaving the fish traps. They used them in the river to catch eels, jungle perch, fresh water catfish and turtle. To attract fish our old people used to sprinkle rain forest berries as bait over the trap.

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FRAMED

Custom framed locally with Tru Vue Museum Glass ®.

Hand printed screen print, limited edition on archival Hahnemühle, signed by the artist.

Categories: Bamanga Bubu Ngadimunku Aboriginal Corporation

Name: Karen Shuan

Language: Kuku Yalanji, Kuku Nyungkul

Community: Mossman

Biography:

I grew up in Mossman learning two ways of life: Kuku Yalanji and Western.

I learnt language and culture from the age of four, and as I grew I was an interpreter for my mother and elders. Now I teach my daughters - we all speak language at home.

 

Now, both my parents have passed away. My mother was from Mossman and she is my role model, she taught me language, culture, and dance from the past and the present. The stories in dance she also painted; stories of our Totems (Ancestral Beings) like that of Diwan (Scrub hen) laying eggs, the sea turtle and the crocodile.

 

As a young person, my father’s uncle, Eddy Bloomfield, painted for pleasure and to pass on knowledge. He painted on any surface he could find - bark, turtle shells etc. I was always listening to elders and Eddy encouraged me to pick up a paintbrush. He taught me traditional techniques. Telling stories of the seaside, and what is edible and what isn’t.

 

My elders taught me how to survive here. Strong voices and histories, self-expression through dance and painting. This is how they survived and this is valuable knowledge for the next generation.

 

My artwork stories focus on the Totems that have been passed down to me from my father’s and mother’s side. Many of them are still sung and danced in public ceremony. I pass on these stories to my seven daughters and also teach them how to dance them.

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