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Mandjabu (Fish Trap) – Susan Marawarr

“In old times people would make these mandjabu (fish traps) to go fishing. They are made with vine we find in the jungle. That old man, Anchor Gulunba, he showed me how to make these fish traps. I would sit there and watch him making them. We catch barramundi, catfish, all kinds of fish.” – Helen Lanyinwanga

Kuninjku people traditionally make two sorts of conical fish traps. One called mandjabu made from a vine called milil, and another smaller one called manylik mandjabu, made from the grass manylik. The mandjabu conical fish trap is bigger and stronger and used in tidal reaches of creeks to catch large fish. The smaller, lighter manylik trap is used in freshwater flowing creeks to catch smaller fish and freshwater prawns. Traditionally, only men were involved in the construction of the large fish traps, but children would often crawl inside and assist.

To make fish traps and fish net fences artists firstly get vine (milil) from the jungle and they put it in water for one night to make it soft. Next they start weaving it; they make rings for the inside to keep the fish trap’s shape. Artists work for three or four weeks on the fish trap. They also make string from kurrajong (burdaga) to attach the hibiscus (bardainy) rings and to tie the conical end of the fish trap. This fish trap is used in saltwater and freshwater. People also use fish net fences called mun-dirra. A long time ago they would put the mun-dirra across rivers and creeks. In the middle they would place the an-gujechiya. They also used small things like sticks, rocks, mud and grass to block the fish from going through. People would then catch fish like saltwater barramundi rajarra, freshwater barramundi (janambal), small black freshwater catfish (buliya), bonefish (an-guwirrpiya), and sand bass (dalakan) in these fish traps.

Name: Susan Marawarr


Language: Kuninjku


Community: Maningrida


Biography:

Kuninjku artist Susan Marawarr was born in 1967 into a strong artistic family.  She is the daughter of Anchor Kulunba and Mary Wurrdjedje, and the sister of acclaimed bark painters James Iyuna and John Mawurndjul.    Marawarr is an accomplished printmaker, sculptor, weaver and bark painter.  Common subjects of her work include the powerful djang of wak wak, ngalyod and yawkyawk mythologies alongside the imagery of  popular everyday items like dilly bags, fish-traps,  mats and baskets.  She is known for her striking black and white palette.  This combined with her use of deep perspective often creates graphic optical effects, movement and energy in her idiosyncratic works.

In 2000, she collaborated with the Waanyi artist Judy Watson in the development of Watson’s public art commission of fish fences and dilly bags cast in bronze for Sydney International Airport.  Marawarr toured the United States in 2001 with the exhibition Bush Colour promoting the work of female printmakers as well as supervising bark painting workshops.

Over the last decade Marawarr’s artwork has been shown at numerous  galleries and cultural institutions including, Gabrielle Pizzi, Annandale Galleries, JGM (London) and the Art Gallery of New South Wales.   Her work is held in many national collections including the Art Gallery of Western Australia, Museum of Contemporary Art, Museum of Victoria and National Gallery of Australia. Text courtesy Maningrida Arts & Culture


© the artist / art centre