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Eiffel tower and the Maladj spirit

“I want to tell you about my design, that Eiffel tower one.

This year it was my first time going to Paris. I didn’t know that place, nothing. We travelled around the world to get there, we flew underneath the world in an aeroplane.

Paris was a big, crowded city. They speak a different language there, just like here in Maningrida with all our different languages.

The Bábbarra artists and Ingrid, we were all walking around, like tourists. We went on the boat in the Paris river. There was a film crew taking videos of us. We saw so many beautiful buildings covered with black string (iron balconies) and big statues. We’d never seen things like that before.

I remember when we got off that boat and I looked up and saw that tower. When I first looked up at that tower, it made me happy- it’s so long up into the sky. We walked towards it. I was standing there watching that tower and thinking, ‘wow, first time for me seeing a tower like that’.

Then I was thinking, and I said to myself, when I go back to my own country, I’m going to paint that tower.

We came to Maningrida, I started to draw. I drew that tower from France, but also I drew maladj (stone country orphan spirit), women’s sacred woven mat, fish traps and rolk (insects). I also put round kunngol (clouds) in the design, those circles. That maladj spirit, it’s standing there next to the Eiffel tower, looking at the dancing lights at night. The tower is from Paris, but everything else in my design I took from my mother’s country and my father’s country.

Maybe one day I’ll travel back to France, and take my design with me to show them, all the French mob.” Janet Marawarr

Name: Janet Marawarr


Language: Kune, Kuninjku


Community: Maningrida


Biography:

Janet Kalidjan Marawarr is a senior Kuninjku artist who has been creating textile based artwork at Babbarra Women’ s Centre for almost 40 years.  Also a talented bark painter, Janet regards the making of artwork as an opportunity to work with colour and explore new media to express her djang (ancestral creation stories). Janet’s practice has taken her to Paris, LA, New Zealand and recently to India.

In 2019 Janet travelled to Paris to launch the touring exhibition, Jarracharra (Dry Season Wind) of which her work featured. In 2022 she travelled to LA where her work was exhibited with Aboriginal Screen-Printed Textiles from Australia’s Top End at Fowler Museum, UCLA. In January 2023 Marawarr was invited by the Australian Consul- General, Kolkata to explore the textile region of West Bengal as a guest of honour. She participated in a 10 day tour of the region sharing knowledge with other women’s groups including the Bridging Culture and Art Foundation Kantha studio in Tushkhali, Sundarbans; the Sadaf India Studio and the Navajeevan Co-operative Society in Jajpur, Odisha.

As well as her textile designs with Bábbarra Women’s Centre, Marawarr is an established bark painter with Maningrida Arts & Crafts and she works for the Maningrida Night Patrol, a community safety service.

‘I like lino, print[ing] my design and doing different way to print my lino, different colours and different way. I print lino Yawkyawk (young woman spirit) and Ngaldjorlhbo (Mother of Everything). This was an old lady and she create that language and the world before. I also print also Rolk (maggot), my mother design cause I’m the Djunkay (land manager) for her.’ Janet Marawarr 2020

'I saw them old people, doing only lino with bush dye, no screen printing. I was eighteen [years old]. I’m 60 now [...] 40 years. I was just watching my mum, she would weave baskets. And also I saw my grandfather painting, ma. One day I learned from my grandfather. I love printing and linocuts – printing my designs on textiles.' Janet Marawarr for Artlink 2023


© the artist / art centre