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Parnngurr

Parnngurr is an Aboriginal community located 370km east of Newman, at the Southern end of the Karlamilyi (Rudall River) area, and in the Pilbara region of Western Australia. Created during the return to Country movement of the 1980s, with the recognition of Aboriginal land rights and native title, the community was named after its’ original primary water source, a nearby rockhole and yinta (permanent spring). Until recently the community was widely known as Cotton Creek, after the European name for the ephemeral creek running alongside the community. Parnngurr and its surrounds are physically dominated by distinctively red tali (sandhills), covered sparingly with spinifex and low lying shrub.

Historically Parnngurr Rockhole was an important site for Aboriginal people during the pujiman (traditional, desert born) era. During this nomadic period families stopped and camped here depending on the seasonal availability of water and the corresponding cycles of plant and animal life on which hunting and gathering bush tucker was reliant. At Parnngurr and other similarly important camp sites, families would meet for a time before moving to their next destination. 

Parnngurr is also a site chronicled in the epic Jukurrpa (Dreaming) story of the Minyipuru (Jakulyukulyu, Seven Sisters), as they flee from the lustful old man, Yurla. The sisters stopped to rest on Parnngurr Hill before continuing on their long journey east. Minyipuru is a central Jukurrpa narrative for Martu, Ngaanyatjarra, Pitjantjatjara and Yankunytjatjara people that is associated with the seasonal Pleiades star constellation. Relayed in song, dance, stories and paintings, Minyipuru serves as a creation narrative, a source of information relating to the physical properties of the land, and an embodiment of Aboriginal cultural laws. Beginning in Roebourne on the west coast of Western Australia, the story morphs in its movement eastward across the land, following the women as they walk, dance, and even fly from waterhole to waterhole. As they travel the women camp, sing, wash, dance and gather food, leaving markers in the landscape and creating landforms that remain to this day, such as groupings of rocks and trees, grinding stones and seeds. During the entirety of their journey the women are pursued by a lustful old man, Yurla, although interactions with other animals, groups of men, and spirit beings are also chronicled in the narrative.

Name: Cyril Whyoulter


Language: Kartujarra


Community: Parnngurr


Biography:

"My mum's father came from Kirriwirri in the North. I can paint that way too. I like painting, it's a good way to learn from old people, keep the stories going. Yunkurra (Billy Atkins (dec.)), my nyamu (grandfather), he's guiding me about what I can paint and share. My closest family is the Taylor mob; uncle Muuki, Wokka (dec.), and Ngalangka (Nola). They help me too."

- Cyril Whyoulter

Cyril's mother's and Father's country is Jartuti. He is the grandson of senior Martumili Artists Bugai Whyoulter and Pinyirr (dec.). Cyril grew up in Parnngurr and Punmu communities. He now lives with his wife and children between Perth and Newman.

Cyril first developed an interest in art making when he began colouring in pencil with his grandfather Larry Patterson. An avid experimentalist and prolific painter, he has since mastered many painting techniques and developed his own signature style in which the influence of his grandmother Bugai is evident. Cyril is respected as a learned cultural leader, and is a strong proponent of the importance of intergenerational knowledge transfer.

 


© the artist / art centre