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Status: Stock

Karen Shuan, Kurranji (Cassowary)

The cassowary is one of the major totems (Ancestral Spirit Beings) for our Kuku Yalanji people. He is a big, dangerous bird that rules the rainforest. The cassowary can attack people but at the same time he helps growing many of the plants we used to collect for food, medicine and tool making.

I inherited the Cassowary Totem and all the cultural stories relating to it from my mother’s side. When I was four years old, my mum taught me how to dance the story of the female cassowary, who is protecting the chicks and the eggs from the carpet snake and goanna.

As a young women, I took on the role of my mum and began teaching our cultural dances to the younger generation at the Mossman Gorge community as well as children that live in Mossman town. I still do this today.

 

Screen printed by hand in Sydney, by master printers on 100% cotton linen. Sold by the metre in 132 cm width.

 

Care Instructions: Gentle machine or hand wash only in cool water, using mild detergent.

Do Not Soak, Bleach, Rub, Wring, Tumble. Line Dry Only in Shade. 

Warm Iron on Reverse. Do Not Dry Clean.

Categories: Bamanga Bubu Ngadimunku Aboriginal Corporation

Name: Karen Shuan

Community: Mossman

Biography:

I grew up in Mossman learning two ways of life: Kuku Yalanji and Western.

I learnt language and culture from the age of four, and as I grew I was an interpreter for my mother and elders. Now I teach my daughters - we all speak language at home.

Now, both my parents have passed away. My mother was from Mossman and she is my role model, she taught me language, culture, and dance from the past and the present. The stories in dance she also painted; stories of our Totems (Ancestral Beings) like that of Diwan (Scrub hen) laying eggs, the sea turtle and the crocodile.

 As a young person, my father’s uncle, Eddy Bloomfield, painted for pleasure and to pass on knowledge. He painted on any surface he could find like bark, turtle shells etc. I was always listening to elders and Eddy encouraged me to pick up a paintbrush. He taught me traditional techniques and told me many stories about our ancestors and clan country and what food is edible and what is not.

My elders taught me how to survive here. Strong voices and histories, self-expression through dance and painting. This is how they survived and this is valuable knowledge for the next generation.

 My artwork stories focus on the Totems that have been passed down to me from my father’s and mother’s side. Many of them are still sung and danced in public ceremony. I pass on these stories to my seven daughters and also teach them how to dance them.

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