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Published by on October 16, 2024

Untitled

Martumili Artists work with over three hundred artists from remote Martu Aboriginal communities, including Punmu, Parnngurr, Kunawarritji, Jigalong, Irrungadji (Nullagine), and Warralong, as well as from the Parnpajinya (Newman) gallery and studio spaces. Known for their diverse, energetic, and unmediated painting styles, their works reflect the dramatic geography and scale of their homelands. Each artist, however, brings a unique approach to their craft.

Younger Martu artists often start painting alongside their parents, grandparents, and extended family, which fosters an organic learning process. This not only involves mastering painting techniques but also understanding specific locations, family histories, traditional ways of life, bush tucker, and Jukurrpa (Dreaming). Over time, with encouragement from their peers, they develop their own distinct styles and explore unique painting techniques and subject matter. In this work the artist brings a contemporary, evolving perspective to their work.

Categories: Shire of East Pilbara (Martumili Artists)

Name: Heather Samson

Community: Jigalong

Biography:

“I was born out at Jigalong Mission and grew up in mission with my families. I went to school there right up to year 7. Finished then and worked around the community for a while as a single lady. I worked in the school for a little while then I worked in the clinic for 4 years, I did a lot of things like taking temperatures when people got sick and doing first aid on them as well. Then I went on to meet my partner. We got married and went to live on the station Yalleen near Pannawonica. We were working up and down, Belfer downs and Yalleen. We had kids then, I looked after my oldest sisters daughter and took her as my own and grew her up, then I had my own. Philipa first then Anthony and Caleb and Tanya and I adopted Elton, as they grew old enough to go back to the community I wanted to take them there they didn’t know any of my families coz they grew up in the station. So we went back to Jigalong to be with the families so they know them then.

It was good to take them back, back in the school because I need them to have a good education. We settled down my partner was a pastoral manager for wallakanya (the whole big area) and I use to help him doing station works Billinooka and Walgun and Jigalong pastoral leases looking after the cattle there. Branding them and feeding them with a lot of hays, we use to ride down to Midland to sell the cattle on the community truck. It was really hard getting all the cattle in one single truck we use to get a cattle train to. I was doing the paper work for all that work.

I remember in Yalleen there is one big tree covered in those ants and they light up they light up like they are on fire at night time. Beautiful. That place is next to Port Hedland and Indee Station side.

I been doing a lot of charcoal drawings and bark painting in Jigalong. I learnt charcoal in school I love that it’s easy you sketch maybe a tree and you can always put the shadings on it using your thumbs and even on the clouds.

Now I’m painting with Martumili which I really love, when im in town I paint. I paint about seven sisters and water holes and my ngurra (home Country, camp), my homelands all around Jigalong, Puntawarrie around Parnngurr around Yulpul area.”

© the artist / art centre